ISBN: Ostalo
Godina izdanja: 1959
Jezik: Engleski
Oblast: Film
Autor: Strani

TOBY COLE
HELEN KRICH CHINOY

ACTORS ON ACTING - The Theories, Techniques, and Practices of the Great Actors of All Times as Told in Their Own Words

Izdavač - Crown Publishers, New York

Godina - 1959

596 strana

23 cm

Povez - Tvrd

Stanje - Kao na slici, tekst bez podvlačenja



SADRŽAJ:
Introduction: Actors On Acting

I. GREECE
Introduction: The Artists Of Dionysus
PLATO - On Inspiration
PLATO - On Imitation
ARISTOTLE - Passion, Speech, and Gesture
ARISTOTLE - Management of the Voice
PLUTARCH - Why We Delight in Representation
PLUTARCH - Ancient Actors
AULUS GELLIUS - The Grief of Polus
JULIUS POLLUX - Tragic and Comic Masks

II. ROME
Introduction: Actors, Slaves, And Orators
CICERO - Emotion in the Actor and Orator
CICERO - The Pupils of Roscius
QUINTILIAN - Action and Delivery
LUCIAN - Of Pantomime

III. THE MIDDLE AGES
Introduction: The Anonymous Actor
ANON. 9TH CENTURY - Epitaph for Mime Vitalis
ETHELWOLD, BISHOP OF WINCHESTER - Instructions for Acting in a Trope
ANON. 12TH CENTURY - The Representation of Adam
ANON. 15TH CENTURY - Acting Regulations for the York Plays
ANON. 15TH CENTURY - From Banns of Performance at Chester

IV. ITALY
Introduction: The Commedia Dell` Arte
LEONE DI SOMI - Dialogue on Acting
PIETRO MARIA CECCHINI - Playing Improvisations
NICOLO BARBIERI - What is a Buffoon?
ANDREA PERRUCCI - Introduction to Impromptu Acting
EVARISTO GHERARDI - On the Art of Italian Comedians
LUIGI RICCOBONI - Advice to Actors

V. SPAIN
Introduction: The Actor As Playwright
LOPE DE RUEDA - The Strolling Players of Lope de Rueda by Cervantes
ALONZO LOPEZ PINCIANO - Of Actors and Playing
AGUSTIN DE ROJAS - An Actor`s Life
TWO CONTEMPORARY ACCOUNTS - At the Commedia by Comtesse D`Aulnoy
TWO CONTEMPORARY ACCOUNTS - An Afternoon in the Theatre by Juan De Zabalcea

VI. ENGLAND
Introduction: The Elizabethan Actor
WILLIAM SHAKESPEARE - Thoughts on Acting from his Plays
BEN JONSON - To Edward Alleyn
BEN JONSON - An Epitaph on Salathiel Pavy
ANON. c. 1602 - A Lesson from Burbage and Kemp
THOMAS HEYWOOD - An Apology for Actors
JOHN WEBSTER - An Excellent Actor
ANON. 1633 - The Eloquent Actor
RICHARD BURBAGE - The Acting of Richard Burbage by Richard Flecknoe

VII. ENGLAND
Introduction: The Great Names
THOMAS BETTERTON - The Qualifications of a Player
COLLEY CIBBER - Apology for his Life
ANTHONY ASTON - A Brief Supplement to Colley Cibber
AARON HILL - Dramatic Passions
CHARLES MACKLIN - The Art and Duty of an Actor
JOHN HILL - Understanding, Sensibility, and Fire
DAVID GARRICK - An Essay on Acting
DAVID GARRICK - Letters on Acting
CATHERINE CLIVE - Two Letters to Mr. Garrick
SARAH SIDDONS - On the Character of Lady Macbeth

VIII. FRANCE
Introduction: Tradition And Revolt
ANON. c. 1610 - Three Farceurs
MOLIERE - The Impromptu at Versailles
MICHEL BARON - My Opinion of Michel Baron by Elena Riccoboni
DENIS DIDEROT - The Paradox of Acting
HYPPOLITE CLAIRON - Reflections on Dramatic Art
MARIE-FRANCOISE DUMESNIL - A Reply to Clairon
CLAIRON, DUMESNIL AND OTHERS - Fiction and Reality
FRANCOIS JOSEPH TALMA - Grandeur without Pomp
JOSEPH ISIDORE SAMSON - The Instruction of an Actor
FRANCOIS DELSARTE - Elements of the Delsarte System
CONSTANT COQUELIN - The Dual Personality of the Actor
SARAH BERNHARDT - The Evolution of the Actor
LUCIEN GUITRY - What I Would Say to Students
ANDRE ANTOINE - The New Acting of the Théâtre Libre
JACQUES COPEAU - The Manifesto of the Vieux Colombier
LOUIS JOUVET - Comedian and Actor
JEAN-LOUIS BARRAULT - Pantomime

IX. GERMANY
Introduction: From The Hamburg Dramaturgy To Epic Theatre
GOTTHOLD EPHRAIM LESSING - The Hamburg Dramaturgy
JOHANN WOLFGANG VON GOETHE - Rules for Actors
FRIEDRICH LUDWIG SCHROEDER - Type and Character
AUGUST WILHELM IFFLAND - The Limits of Nature
EDUARD DEVRIENT - Simplicity and Convention
GEORGE II, DUKE OF SAXE-MEININGEN - The Actor in the Ensemble
OTTO BRAHM - In Defense of Naturalism
MAX REINHARDT - The Enchanted Sense of Play
PAUL KORNFELD - Expressionism
BFRTOLT BRECHT - The Alienation Effect
ERWIN PISCATOR - Objective Acting

X. ENGLAND AND IRELAND
Introduction: The Vicissitudes Of Realism
EDMUND KEAN - Feeling without Rhetoric
EDMUND KEAN - On Edmund Kean by `Betterton`
WILLIAM CHARLES MACREADY - The Audience and the Actor
FANNY KEMBLE - Temperament and Talent
GEORGE HENRY LEWES - The Actor`s Symbols
MARIE WILTON BANCROFT - Reality of Emotion
SQUIRE BANCROFT - Long Runs and Other Evils
HENRY IRVING - The Importance of By-Play
ELLEN TERRY - The Three `I`s`
MADGE KENDAL - Should We Shed Real Tears?
WILLIAM ARCHER - Masks or Faces?
GEORGE BERNARD SHAW - The Point of View of the Playwright
GORDON CRAIG - The Actor and the Ueber-Marionette
WILLIAM BUTLER YEATS - The Sovereignty of Words
WILLIAM FAY - Advice from an Abbey Theatre Actor
HARLEY GRANVILLE-BARKER - The Heritage of the Actor
LESLIE HOWARD - The Film as an Acting Medium
JOHN GIELGUD - Creating My Roles
MICHAEL REDGRAVE - The Stanislavsky Myth

XI. ITALY
Introduction: The Actor As Idol
ADELAIDE RISTORI - My Study of Lady Macbeth
ERNESTO ROSSI - The Art of Interpretation
TOMMASO SALVINI - Impulse and Restraint
ELEONORA DUSE - On Acting

XII. RUSSIA
Introduction: The Moscow Art Theatre And Its Tradition
MICHAEL SHCHEPKIN - Feeling and Pretense
KONSTANTIN STANISLAVSKY - The Evolution of My System
VLADIMIR NEMIROVICH-DANCHENKO - Simplicity in Acting
VSEVOLOD MEYERHOLD - A Rehearsal of The Inspector General
EUGENE VAKHTANGOV - The School of Intimate Experience
NIKOLAI KHMELYOV - My Karenin
NIKOLAI KHMELYOV - The Method of Contrast in the work of Khmelyov by Lev Evgeniev
SERGEI EISENSTEIN - The Actor`s Inner Technique
VSEVOLOD PUDOVKIN - The Basic Contradiction

XIII. AMERICA
Introduction: Native Players And International Stars
EDWIN FORREST - Edwin Forrest and the American Style by Walt Whitman
DION BOUCICAULT - Can Acting be Taught?
JOSEPH JEFFERSON - Warm Heart and Cool Head
EDWIN BOOTH - The Actor`s Tradition
WILLIAM HOOKER GILLETTE - The Illusion of the First Time
RICHARD MANSFIELD - Originality
EDWARD HUGH SOTHERN - I Talk to Myself
JULIA MARLOWE - The Eloquence of Silence
DAVID BELASCO - Acting as a Science
MINNIE MADDERN FISKE - To the Actor in the Making
OTIS SKINNER - Good Diction
ALLA NAZIMOVA - The Actor as an Instrument
JOHN BARRYMORE - Maxims of an Actor
LAURETTE TAYLOR - The Quality You Need Most
CHARLES CHAPLIN - The Study of Comedy
JUDITH ANDERSON - Stage Women
PAUL MUNI - The Mechanics of Movie Acting
WALTER HUSTON - The Success and Failure of a Role
RAYMOND MASSEY - My Delineation of Lincoln
STELLA ADLER - The Actor in the Group Theatre
ALEXANDER KNOX - Acting and Behaving
JOSE FERRER - A Not Too Imaginary Interview
HOWARD LINDSAY - The Actor in the Long-Run Play

Bibliography
Art of Acting Index
General Index



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