| Cena: |
| Želi ovaj predmet: | 1 |
| Stanje: | Polovan bez oštećenja |
| Garancija: | Ne |
| Isporuka: | AKS BEX City Express Pošta CC paket (Pošta) DExpress Post Express Lično preuzimanje |
| Plaćanje: | Tekući račun (pre slanja) Ostalo (pre slanja) Pouzećem Lično |
| Grad: |
Novi Sad, Novi Sad |
Godina izdanja: Ostalo
ISBN: Ostalo
Oblast: Istorija umetnosti
Jezik: Italijanski
Autor: Strani
lepo očuvano
Ottobre 1977
časopis “G7 Studio”, oktobar 1977, sa radovima Marina Abramović i Ulay iz njihove najvažnije rane faze (Studio G7, Bolonja)
Galleria Studio G7 was established on 13 October 1973 by Ginevra Grigolo, in the receptive and vibrant city of Bologna.
The inauguration party hosted the personal exhibition of Michelangelo Pistoletto, displaying steel mirrors covering the gallery walls, transforming them into “open artworks” and involving the surrounding space. According to the original project, which aimed at enhancing multiplicity in order to make it more accessible to differentiated audiences, the exhibition choices focused on English and American Pop Art artists with the works of Rauschenberg, Dine, Johns, Warhol, Lichtenstein, Rosenquist, Jones, Hamilton, Kitay, Tilson.
The interest towards the American hyperrealism and, afterwards, artists such as Albers, Nauman, Serra, Francis, are evidence of the intention to document the most important trends of that period, together with the activity of exploration and discovery.
With the same idea, the interest broadened to Arte Povera and conceptual art which sees artists such as Griffa, Penone and Zorio as protagonists of the events in the gallery.
In that period, Franco Guerzoni and Giulio Paolini started collaborating with the gallery, and they featured respectively in 1973 and 1974 in the personal exhibitions Archeologia and Apoteosi di Omero.
The environment experience took place in the first decade of activity. In this regard, we recall the solo show by Mac Adams, the performance Relazione nel tempo by Marina Abramovic and Ulay and Porci in alto, non è il caso by Luca Maria Patella.
As a centre for cultural experimentation, Studio G7 dedicated part of its activity to more varied creative forms for a certain period of time, in fact the gallery hosted presentation of films, slides, books and videos; Franco Battiato`s concert the year it opened (1973) is unforgettable.
From 1976 until 1981, under the direction of Miro Bini and subsequently Adriano Altamira, the gallery published the magazine G7 Studio which involved scholars, teachers, critics and artists.
At the end of the 1970s, also by virtue of its participation in the most important national and international trade fair events, Studio G7 fully entered the group of the most culturally engaged galleries on the Italian scene.
conceptual art avant-garde avangarda performans