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MARTIN ESSLIN - THE THEATRE OF THE ABSURD


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ISBN: Ostalo
Godina izdanja: 1974
Jezik: Engleski
Oblast: Pozorište
Autor: Strani

MARTIN ESSLIN

THE THEATRE OF THE ABSURD

Izdavač - Penguin Books, Harmondsworth

Godina - 1974

464 strana

18 cm

Edicija - Pelican Books

Povez - Broširan

Stanje - Kao na slici, tekst bez podvlačenja



SADRŽAJ:
Preface to the Pelican Edition
Preface
Acknowledgements
Introduction: The absurdity of the Absurd

1 SAMUEL BECKETT: The search for the self
2 ARTHUR ADAMOV: The curable and the incurable
3 EUGÈNE IONESCO: Theatre and anti-theatre
4 JEAN GENET: A hall of mirrors
5 PARALLELS AND PROSELYTES
Jean Tardieu, Boris Vian, Dino Buzzati, Ezio d`Errico, Manuel de Pedrolo, Fernando Arrabal, Max Frisch, Wolfgang Hildesheimer, Günter Grass, Robert Pinget, Harold Pinter, Norman Frederick Simpson, Edward Albee, Jack Gelber, Arthur Kopit, The Theatre of the Absurd in Eastern Europe, Slawomir Mrozek, Tadeusz Rózewicz
Vaclav Havel
6 THE TRADITION OF THE ABSURD
7 THE SIGNIFICANCE OF THE ABSURD
8 BEYOND THE ABSURD
BIBLIOGRAPHY
I The dramatists of the Absurd
2 Background and history of the Theatre of the Absurd
Index


`The theatre is no longer a middle-class drawing-room. Ever since sophisticated European audiences exploded in near-riots at the first performances of Waiting for Godot avant-garde playwrights have been breaking through the crust of stage conventions to the shifting core of psychological reality present in human hopes, fears and dreams. In plays by such writers as Beckett, lonesco, Genet and Pinter language gutters, communication falters, character and personality disintegrate the very sequence of time and laws of physics may go by the board. Shorn of all certainties these dramatists are confronting a world in which God is dead, a world which, in the Existentialist sense, is absurd. Martin Esslin`s classic study of the dramatists of the Absurd has been fully revised for this Pelican edition. In it he examines the origins, nature and future of a movement whose significance transcends the bounds of the stage and influences the whole intellectual climate of our time.`



Ako Vas nešto zanima, slobodno pošaljite poruku.

Knjiga je na engleskom jeziku

Semjuel Beket Artur Adamov Eugen Jonesko Žan Žene Žan Tardije Boris Vijan Dino Bucati Ecio Deriko Manuel De Pedrolo Fernando Arabal Maks Friš Volfgang Hildeshajmer Ginter Gras Rober Penže Harold Pinter Norman Frederik Simpson Edvard Albi Džak Gelber Artur Kopit Slavomir Mrožek Tadeuš Rozevič Vaclav Havel Arthur Adamov Edward Albee Guillaume Apollinaire Jean Louis Barrault Roger Blin Andre Breton Albert Camus Lewis Carroll Anton Chekhov Circus Jean Cocteau Victor Hugo Alfred Jary Franz Kafka Jacques Mauclair Eva Metman Pablo Picasso Jean Paul Sartre William Shakespeare Gertrude Stein August Strindberg Kenneth Tynan Stanislaw Witkiewicz

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Predmet: 83961177
MARTIN ESSLIN

THE THEATRE OF THE ABSURD

Izdavač - Penguin Books, Harmondsworth

Godina - 1974

464 strana

18 cm

Edicija - Pelican Books

Povez - Broširan

Stanje - Kao na slici, tekst bez podvlačenja



SADRŽAJ:
Preface to the Pelican Edition
Preface
Acknowledgements
Introduction: The absurdity of the Absurd

1 SAMUEL BECKETT: The search for the self
2 ARTHUR ADAMOV: The curable and the incurable
3 EUGÈNE IONESCO: Theatre and anti-theatre
4 JEAN GENET: A hall of mirrors
5 PARALLELS AND PROSELYTES
Jean Tardieu, Boris Vian, Dino Buzzati, Ezio d`Errico, Manuel de Pedrolo, Fernando Arrabal, Max Frisch, Wolfgang Hildesheimer, Günter Grass, Robert Pinget, Harold Pinter, Norman Frederick Simpson, Edward Albee, Jack Gelber, Arthur Kopit, The Theatre of the Absurd in Eastern Europe, Slawomir Mrozek, Tadeusz Rózewicz
Vaclav Havel
6 THE TRADITION OF THE ABSURD
7 THE SIGNIFICANCE OF THE ABSURD
8 BEYOND THE ABSURD
BIBLIOGRAPHY
I The dramatists of the Absurd
2 Background and history of the Theatre of the Absurd
Index


`The theatre is no longer a middle-class drawing-room. Ever since sophisticated European audiences exploded in near-riots at the first performances of Waiting for Godot avant-garde playwrights have been breaking through the crust of stage conventions to the shifting core of psychological reality present in human hopes, fears and dreams. In plays by such writers as Beckett, lonesco, Genet and Pinter language gutters, communication falters, character and personality disintegrate the very sequence of time and laws of physics may go by the board. Shorn of all certainties these dramatists are confronting a world in which God is dead, a world which, in the Existentialist sense, is absurd. Martin Esslin`s classic study of the dramatists of the Absurd has been fully revised for this Pelican edition. In it he examines the origins, nature and future of a movement whose significance transcends the bounds of the stage and influences the whole intellectual climate of our time.`



Ako Vas nešto zanima, slobodno pošaljite poruku.

Knjiga je na engleskom jeziku

Semjuel Beket Artur Adamov Eugen Jonesko Žan Žene Žan Tardije Boris Vijan Dino Bucati Ecio Deriko Manuel De Pedrolo Fernando Arabal Maks Friš Volfgang Hildeshajmer Ginter Gras Rober Penže Harold Pinter Norman Frederik Simpson Edvard Albi Džak Gelber Artur Kopit Slavomir Mrožek Tadeuš Rozevič Vaclav Havel Arthur Adamov Edward Albee Guillaume Apollinaire Jean Louis Barrault Roger Blin Andre Breton Albert Camus Lewis Carroll Anton Chekhov Circus Jean Cocteau Victor Hugo Alfred Jary Franz Kafka Jacques Mauclair Eva Metman Pablo Picasso Jean Paul Sartre William Shakespeare Gertrude Stein August Strindberg Kenneth Tynan Stanislaw Witkiewicz
83961177 MARTIN ESSLIN - THE THEATRE OF THE ABSURD

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