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| Stanje: | Nekorišćen | 
| Garancija: | Ne | 
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| Grad: | Beograd-Palilula, Beograd-Palilula | 
                                                                                        ISBN: Ostalo
                                                                                                                        Godina izdanja: 2022
                                                                                                                        Jezik: Engleski
                                                                                                                        Oblast: Film
                                                                                                                        Autor: Strani
                                                                                
                        Alfred Hitchcock : Filmmaker and Philosopher 
Autor:  Mark William Roche 
 
Publisher	Bloomsbury Academic 
Publication date	4 July 2022 
Edition	1st 
Language	English 
Print length	216 pages 
Item weight	372 g 
Dimensions	13.97 x 1.42 x 21.59 cm 
 
NOVA knjiga!!! 
 
ENGLESKO izdanje na ENGLESKOM jeziku! 
 
Table of Contents 
Preface 
Acknowledgements 
 
1. Hitchcock`s Philosophical Universe 
2. Hitchcock as Master of Form 
3. Shadow of a Doubt as a Cinematic and Philosophical Masterpiece 
4. Hitchcock and Beyond 
5. Conclusion 
 
Bibliography 
Index 
 
Hitchcock was a masterful director, popular with audiences of all ages and critically acclaimed both during and after his unusually long career. What may have been sensed by many viewers but not fully articulated until now is the extent to which his works subtly engage philosophical themes: What is evil, and how does it shield and reveal itself? Can we know what is inside the mind of another person? What is at stake when one knows the truth but cannot speak of it or cannot persuade others? How is Hitchcock’s loving critique of humanity manifested in his films? Why are Hitchcock’s works so often ambiguous? What is the hidden purpose and theory behind his use of humor? Hitchcock employs cinematic techniques–from camera angles and use of light to editing and sound–partly to convey suspense and drama but also to engage and advance philosophical issues, ranging from identity crises to moral ugliness. Roche unlocks Hitchcock’s engagement with philosophical themes, and he does so in a way that appeals to both the novice and the seasoned philosopher, as well as enthusiastic admirers of Hitchcock’s films.