ISBN: Ostalo
Godina izdanja: -
Oblast: Slikarstvo
Jezik: Srpski
Autor: Strani

José Clemente Orozco (November 23, 1883 – September 7, 1949) was a Mexican caricaturist[1] and painter, who specialized in political murals that established the Mexican Mural Renaissance together with murals by Diego Rivera, David Alfaro Siqueiros, and others. Orozco was the most complex of the Mexican muralists, fond of the theme of human suffering, but less realistic and more fascinated by machines than Rivera. Mostly influenced by Symbolism, he was also a genre painter and lithographer. Between 1922 and 1948, Orozco painted murals in Mexico City, Orizaba, Claremont, California, New York City, Hanover, New Hampshire, Guadalajara, Jalisco, and Jiquilpan, Michoacán. His drawings and paintings are exhibited by the Carrillo Gil Museum in Mexico City, and the Orozco Workshop-Museum in Guadalajara.[2] Orozco was known for being a politically committed artist, and he promoted the political causes of peasants and workers.[3]
Hose Klemente Orosko (23. novembar 1883 – 7. septembar 1949) je bio meksički karikaturista[1] i slikar, koji se specijalizovao za političke murale koji su uspostavili meksičku muralnu renesansu zajedno sa muralima Dijega Rivere, Davida Alfara Sikeirosa i drugih. Orosko je bio najkompleksniji od meksičkih muralista, voleo je temu ljudske patnje, ali manje realističan i više fasciniran mašinama od Rivere. Najviše pod uticajem simbolizma, bio je i žanrovski slikar i litograf. Između 1922. i 1948. Orozko je slikao murale u Meksiko Sitiju, Orizabi, Klermontu u Kaliforniji, Njujorku, Hanoveru, Nju Hempširu, Gvadalahari, Halisku i Jikilpanu, Mičoakan. Njegove crteže i slike izlažu Muzej Kariljo Gil u Meksiko Sitiju i Orozko radionica-muzej u Gvadalahari.[2] Orosko je bio poznat po tome što je bio politički posvećen umetnik, i promovisao je političke ciljeve seljaka i radnika.[3]
katalog
muzej savremene umetnosti Beograd 1981
odlično očuvana
GaR.22/15