Cena: |
Želi ovaj predmet: | 7 |
Stanje: | Polovan bez oštećenja |
Garancija: | Ne |
Isporuka: | BEX Pošta DExpress Post Express Lično preuzimanje |
Plaćanje: | Tekući račun (pre slanja) Ostalo (pre slanja) Pouzećem Lično |
Grad: |
Novi Sad, Novi Sad |
Godina izdanja: Ostalo
ISBN: Ostalo
Jezik: Nemački
Oblast: Slikarstvo
Autor: Strani
Dobro očuvano kao na slikama
Vide se blagi tragovi godina na koricama
Stanje jedetaljno uslikano
Retko u ponudi
Titel:
Max Kahlke 1892-1928.
Zustand: leichte Gebrauchsspuren
Verlag: Itzehoe, Selbstverlag
Seiten: 128
Gewicht: 500 g
Erschienen: 1992
Einband: Taschenbuch
Sprache: Deutsch
Beschreibung: Kreismuseum Itzehoe (Hrsg.) und Hans-Peter Widderich
Max Kahlke 1892-1928. Das religiöse Werk
Maks Kalke
Max Kahlke was a creative visual artist. Max Kahlke was born in 1892 and died in 1929. Artists like Benita Koch-Otte, Florence Tuttle Hubbard, Piero Fornari, Ethel Kathleen Cole, and Evariste Jonchere were also born in 1892.
Further Biographical Context for Max Kahlke
Born in 1892, Max Kahlke was primarily inspired by the 1900s and 1910s. The first decades of the twentieth century were defined by the energetic development of visual and pictorial art. These years were an time of experimentation, with artists exploring into ideas surrounding Post-Impressionism, Expressionism and Abstraction. These innovations took hold with artist communities and collectives across the globe, with many groups developing different methods of communicating their ideas. The first twenty years of the twentieth century are seen as the period in art history where modernist and modern ideas first began to have cultural effects. They were a prolific time in the art world, and industrial advances such as mechanisation led to other disciplines such as architecture, led by the work of Le Corbusier and Gerrit Rietveld, to grow at an equally high rate. The idea of a shared discipline across all modes of art was epitomised in the Bauhaus movement, which became a predominant way of thinking about art. These philosophies that we associate today with modern and contemporary art can be traced back to the diverse range of artworks produced at this time.
Apstrakcija avangarda
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