Godina izdanja: 2022
ISBN: 9783836560146
Oblast: Arhitektura
Jezik: Engleski
Autor: Strani

MAGDALENA DROSTE

BAUHAUS

Izdavač - Taschen GmbH, Cologne

Godina - 2022

96 strana

26 cm

Edicija - Basic Art Series

ISBN - 9783836560146

Povez - Tvrd

Stanje - Kao na slici, tekst bez podvlačenja



SADRŽAJ:
Prologue: Three Directors
Walter Gropius and His Path to the Bauhaus
The Roots of Artistic Radicalism
The Bauhaus Manifesto, 1919
The Preliminary Course
Apprenticeship and Diploma
The Workshops
Form Training-Craft Training
Masters and Young Masters
Women, Men, Couples
From Expressionism to Constructivism
Theories of Design
Ideas for Housing Construction
The Director`s Office in Weimar, 1924
The Bauhaus Building in Dessau, 1925-1926
The Masters` Houses in Dessau, 1925-1926
The Housing Estate in Dessau-Törten, 1926 - 1928
New Residential Architecture
Reform and Avant-Garde under Gropius
Hannes Meyer, Director, 1928-1930
Changes among the Masters
Scientific Design
The Goal of Standard Products
The Trade Union School in Bernau, 1928-1930
Providing for the People, not Catering to Luxury
Meyer`s Dismissal, 1930
Mies van der Rohe, Director, 1930-1933
Political Tensions
New Structures
Architectural Training under Mies van der Rohe
Reform and Avant-Garde under Mies van der Rohe
The Nazi Campaign against the Bauhaus
Epilogue: The Bauhaus Legend
Bibliography/Credits/Acknowledgement


`In a fleeting fourteen year period, sandwiched between two world wars, Germany`s Bauhaus school of art and design changed the face of modernity. With utopian ideals for the future, the school developed a pioneering fusion of fine art, craftsmanship, and technology to be applied across painting, sculpture, design, architecture, film, photography, textiles, ceramics, theatre, and installation.

As much an intense personal community as a publicly minded collective, the Bauhaus was first founded by Walter Gropius (1883-1969), and counted Josef and Anni Albers, Wassily Kandinsky, Paul Klee, Oskar Schlemmer, Gunta Stoelzl, Marianne Brandt and Ludwig Mies van der Rohe among its members. Between its three successive locations in Weimar, Dessau and Berlin, the school fostered charismatic and creative exchange between teachers and students, all varied in their artistic styles and preferences, but united in their idealism and their interest in a `total` work of art across different practices and media.

This book celebrates the adventurous innovation of the Bauhaus movement, both as a trailblazer in the development of modernism, and as a paradigm of art education, where an all-encompassing freedom of creative expression and cutting-edge ideas led to functional and beautiful creations.`



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