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HENDRIK PETRUS BERLAGE Disegni Tekeningen


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H.C.E (5803)

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Godina izdanja: Ostalo
ISBN: Ostalo
Oblast: Arhitektura
Jezik: Engleski
Autor: Strani

Odlično stanje

Italijanski i holandski jezik

1986-07-18 to 1986-09-28 (72 days)
curator(s)
Aldo Rossi
sections
ANDB (National Diamond Workers’ Union), Amsterdam
House of artists, Amsterdam Hendrik Petrus Berlage-Drawings “Villa Farsetti, Santa Maria di Sala”
Palace of Peace, The Hague
St Hubertus Hunting Lodge, Hoenderlo
First Church of Christ, Scientist, The Hague
Building
Villas
The Stock Exchange, Amsterdam
Utopian projects
Travel Sketches
Urban planning
State Museum, The Hague
Architecture Projects
Architectural Studies
Typography and Design

The fourth Architecture Biennale is organized one year after the previous one (it breaks the two-year deadline once again) and is dedicated to the work of a single architect, Hendrik Petrus Berlage (Amsterdam, 1865-1934). Director Aldo Rossi collects, for the first time in Europe, the corpus of all the designs of this Dutch master and organizes their display at Villa Farsetti in Santa Maria di Sala, on the Venetian mainland, underlining his will to make the Biennale institution interact with local territories. Villa Farsetti, moreover, is the perfect response to the need of finding an alternative space for the exhibitions, given that the International Art Exhibition was opening in the same period. Berlage’s imperative is “Look at the building and at its history”. The constant attention he shows for History is one of the main reasons for the Biennale to devote its interest to him. Keeping faithful to its criticism towards the Modernist movement and its rationalism, this edition, as the previous ones, is centered in the relationship that, according to Portoghesi and Rossi, contemporary architecture should keep with the past. Suspicious of liberty’s wiggly lines, and detached from the avant-gardes and the glorification of progress, Berlage develops an independent thought which leads him to design some of the most important architectural projects of the 20th century, such as the Stock Exchange in Amsterdam in 1903. A series of utopic compositions testify the fascination that creating a “total work of art” hold on him, unifying art, architecture, history and space: Beethoven’s house, Wagner Theatre on behalf of the Wagner Society, the Lenin mausoleum in the Red Square are typical examples of such a will. Right after Venice, the exhibition moved to Amsterdam, Paris and Berlin, in order to make people know the actuality and the force of this master’s admirable work.

La Biennale di Venezia
Arhitektura Venecijanski Bijenale
Holandska umetnost
Holandski dizajn

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Predmet: 67188057
Odlično stanje

Italijanski i holandski jezik

1986-07-18 to 1986-09-28 (72 days)
curator(s)
Aldo Rossi
sections
ANDB (National Diamond Workers’ Union), Amsterdam
House of artists, Amsterdam Hendrik Petrus Berlage-Drawings “Villa Farsetti, Santa Maria di Sala”
Palace of Peace, The Hague
St Hubertus Hunting Lodge, Hoenderlo
First Church of Christ, Scientist, The Hague
Building
Villas
The Stock Exchange, Amsterdam
Utopian projects
Travel Sketches
Urban planning
State Museum, The Hague
Architecture Projects
Architectural Studies
Typography and Design

The fourth Architecture Biennale is organized one year after the previous one (it breaks the two-year deadline once again) and is dedicated to the work of a single architect, Hendrik Petrus Berlage (Amsterdam, 1865-1934). Director Aldo Rossi collects, for the first time in Europe, the corpus of all the designs of this Dutch master and organizes their display at Villa Farsetti in Santa Maria di Sala, on the Venetian mainland, underlining his will to make the Biennale institution interact with local territories. Villa Farsetti, moreover, is the perfect response to the need of finding an alternative space for the exhibitions, given that the International Art Exhibition was opening in the same period. Berlage’s imperative is “Look at the building and at its history”. The constant attention he shows for History is one of the main reasons for the Biennale to devote its interest to him. Keeping faithful to its criticism towards the Modernist movement and its rationalism, this edition, as the previous ones, is centered in the relationship that, according to Portoghesi and Rossi, contemporary architecture should keep with the past. Suspicious of liberty’s wiggly lines, and detached from the avant-gardes and the glorification of progress, Berlage develops an independent thought which leads him to design some of the most important architectural projects of the 20th century, such as the Stock Exchange in Amsterdam in 1903. A series of utopic compositions testify the fascination that creating a “total work of art” hold on him, unifying art, architecture, history and space: Beethoven’s house, Wagner Theatre on behalf of the Wagner Society, the Lenin mausoleum in the Red Square are typical examples of such a will. Right after Venice, the exhibition moved to Amsterdam, Paris and Berlin, in order to make people know the actuality and the force of this master’s admirable work.

La Biennale di Venezia
Arhitektura Venecijanski Bijenale
Holandska umetnost
Holandski dizajn
67188057 HENDRIK PETRUS BERLAGE Disegni Tekeningen

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