Godina izdanja: Ostalo
ISBN: Ostalo
Jezik: Engleski
Autor: Strani

Knjiga je dobro očuvana.
"`Song of Myself` is a poem by Walt Whitman (1819–1892) that is included in his work Leaves of Grass. It has been credited as `representing the core of Whitman`s poetic vision.`[1]

Publication history
The poem was first published without sections[2] as the first of twelve untitled poems in the first (1855) edition of Leaves of Grass. The first edition was published by Whitman at his own expense.

In the second (1856) edition, Whitman used the title `Poem of Walt Whitman, an American,` which was shortened to `Walt Whitman` for the third (1860) edition.[1]

The poem was divided into fifty-two numbered sections for the fourth (1867) edition and finally took on the title `Song of Myself` in the last edition (1891–2).[1] The number of sections is generally thought to mirror the number of weeks in the year.[3]

Reception
Following its 1855 publication, `Song of Myself` was immediately singled out by critics and readers for particular attention, and the work remains among the most acclaimed and influential in American poetry.[4] In 2011, writer and academic Jay Parini named it the greatest American poem ever written.[5]

In 1855, the Christian Spiritualist gave a long, glowing review of `Song of Myself`, praising Whitman for representing `a new poetic mediumship,` which through active imagination sensed the `influx of spirit and the divine breath.`[6] Ralph Waldo Emerson also wrote a letter to Whitman, praising his work for its `wit and wisdom`.[1]

Public acceptance was slow in coming, however. Social conservatives denounced the poem as flouting accepted norms of morality due to its blatant depictions of human sexuality. In 1882, Boston`s district attorney threatened action against Leaves of Grass for violating the state`s obscenity laws and demanded that changes be made to several passages from `Song of Myself`.[1]

Literary style
A dark-skinned woman in a light dress standing against a wall
`Song of Myself` includes passages about the unsavory realities of the United States before the Civil War, including one about a multi-racial slave
The poem is written in Whitman`s signature free verse style. Whitman, who praises words `as simple as grass` (section 39) forgoes standard verse and stanza patterns in favor of a simple, legible style that can appeal to a mass audience.[7]

Critics have noted a strong Transcendentalist influence on the poem. In section 32, for instance, Whitman expresses a desire to `live amongst the animals` and to find divinity in the insects.

In addition to this romanticism, the poem seems to anticipate a kind of realism that would only become important in United States literature after the American Civil War. In the following 1855 passage, for example, one can see Whitman`s inclusion of the gritty details of everyday life:

The lunatic is carried at last to the asylum a confirm`d case,

(He will never sleep any more as he did in the cot in his mother`s bed-room;)
The jour printer with gray head and gaunt jaws works at his case,
He turns his quid of tobacco while his eyes blurr with the manuscript;
The malform`d limbs are tied to the surgeon`s table,
What is removed drops horribly in a pail;
The quadroon girl is sold at the auction-stand, the drunkard nods by the bar-room stove, ... (section 15)"