ISBN: Ostalo
Godina izdanja: 1972
Jezik: Srpski
Autor: Strani

PJER REVERDI

IZVORI VETRA - pesme i poeme

Prevod - Nikola Trajković

Izdavač - Bagdala, Kruševac

Godina - 1972

98 strana

17 cm

Edicija - Mala biblioteka / Poezija u prevodu

Povez - Tvrd

Stanje - Kao na slici, tekst bez podvlačenja



SADRŽAJ:
IZ ZBIRKE „VELIKA PRIRODA“
Crte neba
Lovac zvezda
Radost lažna
Voda spava
Onaj koji čeka
Ta uspomena

IZ ZBIRKE „IZVORI VETRA
Ka moru
Vek
Poema
Mao-Ča
Gomila ljudi
Kameni zid
Za vreme noći
Prozor na srcu
Na vrhovima prstiju
Uvek ljubav
Kino
Svet je ispred mene
Istorija
Poslednji čas
Čovek i noć

IZ ZBIRKE „BELI KAMENovi“
Sećanje
Bela maska
Pogledi koji menjaju
Razmenjene reči
sjednog polja na drugo
Crni brod
Uvek isti

IZ ZBIRKE „ŽELEZA“
Nežnost
Zora noćobdije
Tajne riznica
Sumorni pehar
Srce na točku
Vreme i ja

IZ ZBIRKE „PUNA ČAŠA“
Kap po kap

IZ ZBIRKE „PESMA MRTVih`
Život me odvlači

IZ ZBIRKE „ZELENO DRVO
Odlazak
Veliki žižak
U pustinji
A sada

Beleška o pesniku


`Reverdy arrived in Paris in October 1910, devoting his early years there to his writing. It was in Paris, at the artistic enclave centered around the Bateau-Lavoir in Montmartre that he met Guillaume Apollinaire, Max Jacob, Louis Aragon, André Breton, Philippe Soupault and Tristan Tzara. All would come to admire and champion Reverdy’s poetry. Reverdy published a small volume of poetry in 1915. A second compilation of his work brought out in 1924, Les épaves du ciel, brought him greater recognition. The poems were short, fragmentary, the words an evocation of sharp visuals: the volume was the literary equivalent of the Plastic arts as practiced by Cubist painters and sculptors. In the first Surrealist Manifesto, André Breton hailed Reverdy as `the greatest poet of the time.` Louis Aragon said that for Breton, Soupault, Éluard and himself, Reverdy was `our immediate elder, the exemplary poet.` In 1917, together with Max Jacob, Vicente Huidobro and Guillaume Apollinaire, Reverdy founded the influential journal Nord-Sud (`North-South`) which contained many Dadaist and Surrealist contributions. Sixteen issues of Nord-Sud were published, from 15 March 1917 to 15 October 1918. It is believed Reverdy took his inspiration for the title of his periodical from the subway line, the Paris Métro, which in 1910 instituted a route running from Montmartre to Montparnasse; it was Reverdy`s intention to unite the vitality of these two distinctive city districts.

By nature, Reverdy was a somber man, whose strong spiritual inclinations led him over time to distance himself from the frenetic world of bohemian Paris. In 1926, in a ritualistic act signifying the renunciation of the material world, he burned many of his manuscripts in front of an assembly of friends. He converted to Catholicism and retreated with his wife, Henriette, to a small house located in proximity to a Benedictine abbey at Solesmes. Excluding intermittent periods when he visited Paris, Solesmes was his home for the next thirty years where he lived a `quasi-monastic life.`



Ako Vas nešto zanima, slobodno pošaljite poruku.

Pierre Reverdy