Cena: |
Želi ovaj predmet: | 1 |
Stanje: | Nekorišćen |
Garancija: | Ne |
Isporuka: | BEX Pošta Post Express Lično preuzimanje |
Plaćanje: | Tekući račun (pre slanja)
PostNet (pre slanja) Ostalo (pre slanja) Pouzećem Lično |
Grad: |
Novi Sad, Novi Sad |
Godina izdanja: Ostalo
ISBN: Ostalo
Jezik: Srpski
Autor: Strani
odlično stanje, nekorišćena
Autor: Moris Sev
Format: 21
pšovez: broširan
Br. strana: 128
Moris Sev je čovek `prelomnog trenutka` i ta prelomnost prouzrokovala je jedinstvenu prirodu njegove poezije zbog koje je od strane bliskih savremenika bio izjednačen s Danteom, kao što stoji urezano oko njegovog portreta na jednoj graviri koja ga predstavlja neobrijanog i grčevitog lica.
Sev je ipak uspeo da štampa u Lionu, 1544, svoju zbirku Delia, uzor čiste vrline, da bi ubrzo nakon toga nestao, i štaviše , bio doslovno zbrisan s pesničke mape Francuske za sledećih tristo godina.
Maurice Scève (c. 1501–c. 1564), was a French poet active in Lyon during the Renaissance period. He was the centre of the Lyonnese côterie that elaborated the theory of spiritual love, derived partly from Plato and partly from Petrarch. This spiritual love, which animated Antoine Héroet`s Parfaicte Amye (1543) as well, owed much to Marsilio Ficino, the Florentine translator and commentator of Plato`s works.
Scève`s chief works are Délie, objet de plus haulte vertu (1544); five anatomical blazons; the elegy Arion (1536) and the eclogue La Saulsaye (1547); and Microcosme (1562), an encyclopaedic poem beginning with the fall of man. Scève`s epigrams, which have seen renewed critical interest since the late 19th century, were seen as difficult even in Scève`s own day, although Scève was praised by Du Bellay, Ronsard, Pontus de Tyard and Des Autels for raising French poetry to new, higher aesthetic standards.[citation needed]
Scève died sometime after 1560; the exact date of his death is unknown.
francuska književnost