ISBN: Ostalo
Autor: Domaći
Jezik: Srpski
Godina izdanja: Tv

Spoljašnjost kao na fotografijama, unutrašnjost u dobrom i urednom stanju! Coskic korice malo ostecen, nista strasno, knjiga nova!

Autor - osoba Ladik, Katalin, 1942- = Ladik, Katalin, 1942-
Naslov Pamćenje vode : pesme = A víz emlékezete : versek / Katalin Ladik = Ladik Katalin ; prevela s mađarskog Draginja Ramadanski
Vrsta građe poezija
Jezik srpski
Godina 2022
Izdavanje i proizvodnja Novi Sad : Kulturni centar Vojvodine `Miloš Crnjanski`, 2022 (Beograd : Donat graf)
Fizički opis 213 str. : autorkina slika ; 23 cm
Drugi autori - osoba Ramadanski, Draginja, 1953- = Ramadanski, Draginja, 1953-
Zbirka ǂEdicija ǂ`Poezija i komentari`
Napomene Uporedo mađ. tekst i srp. prevod
Tiraž 300.

U izdanju Kulturnog centra Vojvodine „Miloš Crnjanski” objavljena je nova zbirka pesama Katalin Ladik: „Pamćenje vode”, koju je sa mađarskog jezika prevela Draginja Ramadanski.
Njen lik i pesništvo najbolje opisuje sama umetnica odgovaranjem na pitanje kako ona doživljava sebe danas: „Da bih uočila razliku između Katalin danas i Katalin u ranoj mladosti, moram prvo da pogledam u sebe i da nabrojim ono što mi se čini da je ostalo u meni od moje rane mladosti. To su znatiželja, introvertnost, želja i sposobnost da postanem nevidljiva, servilnost, izbegavanje konflikata, povremena želja da ipak budem u centru pažnje, pouzdanost, odlučnost, želja i borba za nezavisnošću, rasipanje životne energije, potreba za samoćom, strah od neizvesnosti; još uvek pridajem veliku važnost snovima, upuštam se u avanture, letim u snovima, ne odustajem od traženja tzv. Kosmičke inteligencije ili – Svemogućeg. Primećujem razliku u sledećem: postala sam strpljiva i tiša, ne plašim se smrti, niti toga da se zaljubim...” Katalin Ladik je 2020. bila dobitnica Medalje kulture za ukupno stvaralaštvo, koju dodeljuje Kulturni centar Vojvodine.

Kulturni centar Vojvodine „Miloš Crnjanski” objavio je novu knjigu poezije Katalin Ladik „Pamćenje vode”.
„Verujem da voda mnoge događaje i osećaje iz naših života čuva u vidu uspomena, noseći ih u sebi”, piše harizmatična novosadska umetnica sa peštanskom adresom, koja poeziju objavljuje još od 1962, kada su se njene prve pesme pojavile u časopisima Hid i Sdžmposion. Lane je, u povodu 80. rođendana Katalin Ladik i Medalje za ukupno stvaralaštvo, kojom je nagradio Kulturni centar Vojvodine „Miloš Crnjanski”, ova kuća objavila izbor iz njene poezije u prevedu na engleski jezik – „Poems”, da bi sada, kroz zbirku „Pamćenje vode” – dvojezičnu, na mađarskom i srpskom – čitaocima ponudila stotinak novih pesama tematski grupisanih u pevanja Voda, Oblak, Sneg, Led i Plazma.
– „Pamćenje vode” donosi određene inovacije u poetici Katalin Ladik. Tekst je sveden u izrazu, minimalistički, i tim je značajniji maestralan prepev sa mađarskog na srpski Draginje Ramadanski, jer je više nego uspešno održala meodiju i ritam autorkinih stihova – izjavio je juče na konferenciji za novinare Mirko Sebić, urednik izdavačke delatnosti u KCV „Miloš Crnjanski”.

Katalin Ladik, „Pamćenje vode“, KCV „Miloš Crnjanski“, 2022.
Pesnikinja, glumica i prvosveštenica poetskog performansa ne odustaje od propitivanja i igre, od rizika i sumnje čak ni kad se, u tradicionalnoj formi stiha, bavi tako elementarnom tvari kao što je voda. Voda menja oblik, obrazuje nove granice, a u svojoj dubini krije logiku drugog sveta; pamćenje, pak, promenu sveta u sebi nosi kao vedru mogućnost ili tmurnu pretnju. Ustreptala i radoznala, pesnikinja roni u smrtonosne struje, istražuje kuću „grdnih, ugljenisanih ruku“, posmatra ribu kojoj sole bol i „ispiraju mesec iz očiju“, oseća strujanje reke dok nosi na sebi „plastove drugog života i tela“. Kuća se u pesmi „Mrtva priroda s prozorom“ čak „spotiče u mraku, kršeći ruke“.
„Verujem da voda mnoge događaje i osećaje iz naših života čuva u vidu uspomena, noseći ih u sebi“, piše pesnikinja na samom početku zbirke. Poezija Katalin Ladik sada ostavlja po strani hibridne forme izraza, performans i pokret, vraćajući se konzervativnoj jezičkoj artikulaciji. Pesme o vodi čuvaju neposrednost i odrešitost tona, koliko i refrenske nedoumice o identitetu, pripadnosti, granicama bića. Dok „dno neba krčka“, pesnikinjino iskustvo spremno se smešta i pod onim tradicionalnim „snegopadima“ značenja. Jednako kao Bela Hamvaš i Rilke, njena sagovornica je prevoditeljka-čarobnica, Draginja Ramadanski.

Katalin Ladik (rođena 25. oktobra 1942. u Novom Sadu) je jugoslovensko-mađarski pesnik, izvođač i filmski stvaralac.
Katalin Ladik počela je pisati 1962. godine radeći kao bankarski činovnik. Bila je radijska voditeljica i pozorišna glumica u Novom Sadu, kasnije je radila za film i televiziju. 1990. postala je urednica i predavala u oblastima muzike i pozorišta.
Kao umetnički medij koristi vizuelnu poeziju, umetnost pošte, radio igre, prozu, kolaž, fotografiju, film i eksperimentalnu muziku. Ladik istražuje jezik vizuelnim i vokalnim izrazima, kao i kretanjem i gestovima. Ladik se više puta pojavljivao u kontekstu predstava, događaja i pozorišnih komada koji se često dešavaju u urbanom okruženju, ali i u prirodi. Bila je član umetničkog kolektiva Bosch + Bosch. Katalin Ladik živi i radi naizmenično u Novom Sadu (Srbija), Budimpešti (Mađarska) i na ostrvu Hvar (Hrvatska).
U svojoj domovini postala je legendarna i kontroverzna figura u ranim šezdesetim godinama, pre svega kroz feminističko-šamanističku zvučnu poeziju i gole predstave.
Ladik je primio nekoliko nagrada i igrao na brojnim nacionalnim i međunarodnim izložbama. 1977. Godine dala je ime sebi kao učesnica 10. međunarodnog festivala zvučne poezije u Amsterdamu. U 2010. godini u Muzeju savremene umetnosti Vojvodine u Novom Sadu održana je retrospektiva, koja je privukla nacionalnu pažnju, a 2017. godine bila je pozvana da učestvuje u dokumentarnoj 14. Takođe je uključena u seriju izložbi Feministička avangarda.

Katalin Ladik (born Novi Sad, October 25, 1942) is a Hungarian poet, performance artist and actress. She was born in Novi Sad, Yugoslavia (now called Serbia) and in the last 20 years she has lived and worked alternately in Novi Sad, Serbia, in Budapest, Hungary and on the island of Hvar, Croatia. Parallel to her written poems she also creates sound poems and visual poems, performance art, writes and performs experimental music and audio plays. She is also a performer and an experimental artist (happenings, mail art, experimental theatrical plays). She explores language through visual and vocal expressions, as well as movement and gestures. Her work includes collages, photography, records, performances and happenings in both urban and natural environments.
Katalin Ladik studied at the Economic High School of Novi Sad between 1961 and 1963. She then joined the Dramski Studio (Drama Studio) acting school in Novi Sad, between 1964 and 1966. Between 1961 and 1963, she worked as a bank assistant. During this time, in 1962, she began to write poetry. From 1963 to 1977 she worked for Radio Novi Sad. She joined the newly established Novi Sad Theatre in 1974, becoming a member of its permanent ensemble in 1977 and working there until 1992.[1] She primarily acted in dramatic roles. Over the years, she also played major and minor roles in various TV-films and movies. She led the poetry sections of literary magazines Élet és Irodalom (1993–94) and Cigányfúró (1994–99). Between 1993 and 1998 she taught at Hangár musical and theatrical education center.
She is a member of the Hungarian Writers` Union, the Hungarian Belletrists Association, the Association of Hungarian Creative Artists and the Hungarian PEN Club.

Awards
Katalin Ladik has earned various awards, including the Kassák Lajos Award (1991), the award of Mikes Kelemen Kör (Mikes International – Association for Hungarian Art, Literature and Science in the Netherlands) (2000), the József Attila Prize (2001), the Mediawave Parallel Culture Award (2003), the National Award for Culture of the Republic of Serbia (2009), and the Laurel Wreath Award of Hungary (2012).
In 2015, she received the Klára Herczeg Award in senior category from the Studio of Young Artists’ Association (Hungary).[2]
In 2016, she was awarded with the Lennon Ono Grant for Peace.[3]
Her awards for acting include the Oktobarska nagrada grada Novog Sada (October Award of the City of Novi Sad), a collective award to the cast of Radio Novi Sad in 1967; first place at Smotra vojvođanskih profesionalnih pozorišta (Festival of Professional Theatres in Vojvodina) in 1978, for the role of Masha in Three Sisters, directed by György Harag, performed at the Novi Sad Theatre. The same role earned her the first place of Udruženje dramskih umetnika Srbije / Association of Dramatic Artists of Serbia, in 1979. Katalin Ladik also received the Magyar Televízió Elnöki Nívódíja / Award of the President of Hungarian Television for Acting Excellence for acting in András Rajnai’s TV film series, Televíziós mesék felnőtteknek (Television Tales for Adults) in 1980. In 1986, she was awarded first place at Smotra vojvođanskih profesionalnih pozorišta / Festival of Professional Theaters in Vojvodina for the role of Skinner in Howard Barker’s The Castle, directed by David Gothard, performed at the National Theatre in Subotica.
2017 Artisjus Literary Award for her poetry volume „A víz emlékezete” („The Memory of Water”)
2017 Janus Pannonius Filius Ursae Award for her literary oeuvre for „being defiant, provocative, and confrontational towards the actual literary canons”

Poetry
Katalin Ladik became known after 1962 through her surreal and erotic poems. In addition to a number of books in Hungarian, volumes of her poetry were published in Yugoslavia, France, Italy and the United States. Her poems also appeared in various magazines and anthologies worldwide, translated into Spanish, German, Polish, Bulgarian, Slovakian, Hindi, Chinese, Indonesian, Romanian, Macedonian, Rusyn and Slovenian.
`She is able to embody the sense of poetry as action. I saw one of her readings in Bratislava at Ars Poetica Festival and she was the only poet able to electrize the audience without any translation. (...)
She manages to pass linguistic barriers but, again, any translation of her poetry is at least difficult to be made (or should I say “performed`). Her activity covers a wide area that includes performance and sound poetry, with a force that captures any kind of audience no matter how illiterate in contemporary poetry they can be.`
Poetry Depot

Prose
Her first novel, entitled Élhetek az arcodon? (Can I Live on Your Face?) was published in 2007 by Nyitott Könyvműhely. It is considered to be an eminent work in Hungarian Avant-garde literature. It is partly autobiographical, partly self-reflecting. The novel alternates between reality and fiction, prose and poetry, sometimes switching to a prose poem style. Its main target audience is that part of the artists’ community who are receptive to esoteric allusions. The book is about three women: the Editor, who lives in Budapest, the Artist, and the Glasswoman who lives in Novi Sad, all of whom bear the same name. The shared name determines their lives. Initially, they are unaware of one another, but throughout the book their lives get gradually intertwined. After they get to know one another, they begin to live each other`s life, which changes everything for them forever. One of the peculiarities about the book is the uniquely rich textual documentation (letters, newspaper articles, posters) and the large number of photos.

Publications
Volumes in original language
Ballada az ezüstbicikliről (Ballad of Silver Bike) | poems | Hungarian | with gramophone recording | Forum, Novi Sad, 1969
Elindultak a kis piros bulldózerek (The Small, Red Bulldosers Have Taken Off) | poems | Hungarian | Forum, Novi Sad, 1971
Mesék a hétfejű varrógépről (Stories of the Seven-Headed Sewing Machine) | poems | Hungarian | Forum, Novi Sad, 1978
Ikarosz a metrón (Icarus on the Subway) | poems | Hungarian | Forum, Novi Sad, 1981
A parázna söprű – Bludna metla (The Promiscuous Broom) | poems | Hungarian-Serbian bilingual | Forum, Novi Sad, 1984
Kiűzetés (Exile) | poems | Hungarian | Magvető, Budapest, 1988
Jegyesség (Engagement) | poems | Hungarian | Fekete Sas - Orpheusz, Budapest, 1994
A négydimenziós ablak (The Four-Dimensional Window) | poems | Hungarian | Fekete Sas, Budapest, 1998
Fűketrec (Grass-Cage) | poems | Hungarian | Orpheusz, Budapest, 2004
Élhetek az arcodon? (Can I Live on Your Face?) | prose | Hungarian | Nyitott Könyvműhely, Budapest, 2007
Belső vízözön (Deluge Inside) | poems | Hungarian | Parnasszus, Budapest, 2011
Ladik Katalin legszebb versei (The Most Beautiful Poems of Katalin Ladik) | poems | Hungarian | AB-ART, Bratislava, 2012
A víz emlékezete (The Memory of Water) | poems | Hungarian | Kalligram, Budapest, 2016
Translated volumes
Poesie Erotiche (Erotic Poems) | poems | Italian | selected and translated by: Giacomo Scotti | La Sfinge, Naples, 1983
Erogen Zoon | poems | Serbian | translated by: Katalin Ladik, Selimir Radulović, Judita Šalgo, Arpad Vicko | Književna Zajednica Novog Sada, Novi Sad, 1987
Stories of the Seven-Headed Sewing Machine | poems | English | translated by: Emöke Z. B’Racz | New Native Press, Sylva, 1992
Poèmes (Poems) | poems | French | selected by: Tibor Papp | translated by: Katalin Kluge, Tibor Tardos | CiPM / Spectres Familiers, Marseille, 1999
Ikarova senka (Icarus’ Shadow) | poems | Serbian | translated by: Katalin Ladik, Selimir Radulović, Judita Šalgo, Arpad Vicko, Draginja Ramadanski | Orpheus, Novi Sad, 2004
Stories of the Seven-Headed Sewing Machine | poems | English | translated by: Emöke Z. B’Racz | Burning Bush Press, Asheville, 2005
Engagement | poems | English | translated by: Emöke Z. B’Racz | Burning Bush Press, Asheville, 2006
Kavez od trave (Grass-Cage) | poems | Croatian | translated by: Kristina Peternai | Matica Hrvatska, Osijek, 2007
E-books
Fűketrec (Grass-Cage) | poems | Hungarian | Mikes International, The Hague, 2003 | downloadable, pdf format
Fűketrec (Grass-Cage) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2003 | downloadable, multiple formats
A négydimenziós ablak (The Four-Dimensional Window) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, multiple formats
Ikarosz biciklijén (On Icarus’ Bicycle) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, multiple formats
Kiűzetés ~ Jegyesség (Exile ~ Engagement) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, multiple formats
A négydimenziós ablak (The Four-Dimensional Window) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf format
Kiűzetés ~ Jegyesség (Exile ~ Engagement) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf format
Ikarosz biciklijén (On Icarus’ Bicycle) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf format
Engagement | poems | English | Firefly Inx, Asheville, 2012 | downloadable, pdf format[permanent dead link]
Stories of the Seven-Headed Sewing Machine | poems | English | Firefly Inx, Asheville, 2012 | downloadable, pdf format[permanent dead link]
Milyen ízű vagyok? (How Do I Taste?) | poems | Hungarian | A hónap könyve, Szentendre, 2012 | buyable, pdf format
Discography
Sound poetry
Ballada az ezüstbicikliről (The Ballad of the Silver Bicycle) | SP | supplement for book with same title | Forum, Novi Sad, 1969
Phonopoetica | SP | Galerija Studentskog kulturnog centra, Belgrade, 1976
Poésie Sonore Internationale (International Sound Poetry) | audio cassette | anthology of sound poetry, Paris, 1979
La Nouvelle Revue d’Art Moderne, Special 2. (The Magazine of Modern Art) | audio cassette | Rencontres Internationales de Poésie Sonore (International Sound Poetry Festival), Paris, 1980
Adriano Spatola: Baobab Femme | audio cassette | anthology for sound poetry magazine, Publiart Bazar Reggio Emilia, 1982
Yugoslavian Sound Poetry | audio cassette | anthology of sound poetry, 1987
Hangár / Hangar | audio cassette | anthology of sound poetry, Amsterdam – Budapest, 1987
Aki darazsakról álmodik (Who is Dreaming About Wasps) | LP | recording of the radio play `Furcsa, aki darazsakról álmodik` (Strange Is the One Who Is Dreaming About Wasps) | Radio Novi Sad, 1988
Spiritus Noister: Nemzeti zajzárványok / National Noise-Inclusions | audio cassette | Bahia Music, Budapest, 1996
Vajdasági Magyar Zenei Esték / Vojvodina Hungarian Music Evenings 1988 | CD | JMMT, Novi Sad, 1998
Vízisámán / Water Shaman | CD | Budapest, 1999
Spiritus Noister – Kurt Schwitters: Ursonate | music CD | Hungaroton, Budapest, 2003
Vodeni anđeo / Water Angel | music CD | Nova Misao, Novi Sad, 2011
Music (experimental music, jazz)
As vocalist, Katalin Ladik collaborated with prominent Croatian, Serbian and Hungarian composers, such as Dubravko Detoni, Branimir Sakač, and Milko Kelemen (1971–73, ensemble ACEZANTEZ); Ernő Király (1963-2002); Dušan Radić (Oratorio Profano, 1979); Boris Kovač (1986-1990); Deže Molnar ( 1989–91); Zsolt Sőrés a.k.a. Ahad, and Zsolt Kovács (1996-, Spiritus Noister).