ISBN: Ostalo
Godina izdanja: 1969
Jezik: Engleski
Vrsta: Eseji i kritike
Autor: Strani

FERDINAND ALQUIE

THE PHILOSOPHY OF SURREALISM

Izdavač - Ann Arbor Paperbacks, University of Michigan Press

Godina - 1969

196 strana

20 cm

Edicija - Ann Arbor Paperbacks

Povez - Broširan

Stanje - Kao na slici, ima pečat prethodnog vlasnika - Predrag Palavestra, tekst bez podvlačenja



SADRŽAJ:
Introduction

THE SURREALIST PROJECT
1. Hope and Love
II. Existence and Literature
III. Experience and System

REVOLT AND REVOLUTION
I. The Surrealist Refusal
II. Surrealism and Marxism
III. Derealization

EXPECTATION AND THE INTERPRETATION OF SIGNS
I. Love
II. Poetry and the Encounter
III. Lucidity

MAGINATION
I. The Imaginary and the Real
II. The Imaginary and Beauty
III. The Imaginary and the Surreal

POSTSCRIPT AND NOTES ON JOË BOUSQUET
Conflicts and Abandonments
The Unity of Joë Bousquet
Joë Bousquet and the Ethic of Language
Notes


`The surrealist movement that began in France in the 1920`s was more than a revolution in literary and artistic taste. Its aim was the discovery and moral transformation of man. Out of its essential affirmations grew a surrealist philosophy-of love, of life, of man`s relation to the world-that has left a permanent imprint on the art and thought of our time.

In his landmark study of surrealism, Ferdinand Alquié explores the origins of this philosophy. Focusing on the work of André Breton, Paul Eluard, Joë Bousquet, and Salvador Dali, Alquié describes the new awareness of the real, which they sought to express, and clarifies its meaning. He discusses surrealist aims and hopes, examines the relationship between the surrealist revolt and the Marxist revolution, and defines surrealist conceptions of poetry, love, engagement, expectation, and symbols. Finally, he relates the surrealist theory of imagination to religion, aesthetics, and metaphysics.

Ferdinand Alquié is professor at the Sorbonne, Chevalier de la Légion d`Honneur, and Officier des Palmes Académiques. As a young man he was closely associated with the surrealists, knew some of the most famous of them intimately, and published articles of his own in the surrealist review Minotaure. His book is of central importance to an understanding of the movement.`



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