ISBN: 0-8018-2094-4
Godina izdanja: 1976
Jezik: Engleski
Autor: Strani
Vrsta: Teorija književnosti

MURRAY KRIEGER

THEORY OF CRITICISM - A Tradition and Its System

Izdavač - John Hopkins University Press, Baltimore

Godina - 1976

250 strana

24 cm

ISBN - 0-8018-2094-4

Povez - Broširan

Stanje - Kao na slici, tekst bez podvlačenja



SADRŽAJ:
Preface

THE PROBLEM: THE LIMITS AND CAPACITIES OF CRITICAL THEORY
I The Vanity of Theory and Its Value
II Preliminary Questions and Suggested Answers
III The Critic as Person and Persona

THE HUMANISTIC THEORETICAL TRADITION
IV The Deceptive Opposition Between Mimetic and Expressive Theories
V Form and the Humanistic Aesthetic
VI Fiction, History, and Empirical Reality: The Hourglass and the Sands of Time

A SYSTEMATIC EXTENSION
VII The Aesthetic as the Anthropological: The Breath of the Word and the Weight of the World
VIII Poetics Reconstructed: The Presence of the Poem
Index


"A mature and crowning achievement in the work of a major critic. . . . It will remain an illuminating work for specialists, but it will also open new doors for more freewheeling poets and critics.` (Ralph Freedman, Princeton University)

`A wide-ranging, convincing, and sometimes moving statement of the case for poetry, which may also be the case for sanity.` (O. B. Hardison, Jr. The Sewanee Review)

`Murray Krieger has become perhaps the most trenchant commentator on critical trends while at the same time developing a critical theory of his own. His Theory of Criticism: A Tradition and Its System is the most ambitious undertaking of the year in theory. Krieger is unashamedly neo-Kantian and Coleridgean and values the New Critics, who were his teachers. He holds to a distinction between poetry and other discourse, eschews the `decentering` impulse of the French philosopher Jacques Derrida, at least where poetry is concerned, and yet finds in Derrida a useful contrary to his own stance. Krieger`s book deals with a whole range of contemporary issues and ends in a clash with Derrida in which, as in Yeat`s dance plays, the swords never quite touch, the duel being as much dance as battle.`(The New Republic)

`This book could be the best text available to begin a serious study of critical method.` (Choice)

Author of The Play and Place of Criticism, The Tragic Vision, and The Classic Vision (all published by Johns Hopkins), Murray Krieger is University Professor of English at the University of California.`



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Joseph Addison Aristotle Matthew Arnold Henri Bergson William Blake Sigurd Burckhardt Samuel Taylor Coleridge Rosalie Colie Consciousness Critics Benedetto Croce Paul De Man Jacques Derrida Rene Descartes John Donne T. S. Eliot Michel Foucault Northrop Frye Johann Wolfgang Von Goethe E. H. Gombrich Georg Wilhelm Friedrich Hegel Martin Heidegger Homer Horace Roman Jakobson Henry James Samuel Johnson Ben Jonson Immanuel Kant Gotthold Ephraim Lessing Claude Levi Strauss Longinus Richard Mckeon Thomas Mann Jacopo Mazzoni New Criticism Friedrich Nietzsche Plato Alexander Pope Georges Poulet Prague School John Crowe Ransom Renaissance Critics Richards Joseph Riddel Jean Jacques Rousseau Russian Formalism Ferdinand De Saussure Julius Caesar Scaliger Friedrich Wilhelm Joseph Schelling Schiller Wilhelm August Schlegel William Shakespeare Percy Bysshe Shelley Philp Sidney Leo Spitzer Laurence Sterne Wallace Stevens Structuralism Eliseo Vivas William Carlos Williams William Wordsworth William Butler Yeats Edward Young Aristotel Anri Bergson Viljem Vilijam Blejk Burkhart Semjuel Tejlor Kolridž Benedeto Kroče Pol De Man Žak Derida Dekart Džon Don Mišel Fuko Nortrop Fraj Johan Volfgang Gete Vilhelm Fridrih Hajdeger Horacije Henri Džejms Semjuel Džonson Imanuel Gotold Efraim Lesing Klod Levi Stros Tomas Man Jakopo Maconi Niče Platon Aleksandar Poup Žan Žak Ruso Ferdinand Sosir Šeling Šiler Šlegel Šekspir Persi Šeli Karlos Vilijams Vilijems Edvard Batler Jejts