Izdavač: Ostalo
Žanr: Fank i Soul, Filmska muzika, Pop, R&B, Rok
Poreklo: Strani izvođač

Original, made in Holland

Knjizica od 12 str.

Odlicno ocuvano

knjizica 5 Cd 5

Soundtrack album by Tina Turner
Released June 15, 1993
Recorded
19841993
Studio Record Plant
Genre
RockR&Bpopsoul
Length
57:32 (international version)
51:52 (US version)
Label Parlophone
Tina Turner chronology
Simply the Best
(1991) What`s Love Got to Do with It
(1993) The Collected Recordings: Sixties to Nineties
(1994)

What`s Love Got to Do with It is the first soundtrack by American singer Tina Turner, released on June 15, 1993, by Parlophone. It served as the soundtrack album for the 1993 Tina Turner biographical film of the same name, which was released by Touchstone Pictures that same year. It mostly consists of re-recorded versions of her greatest hits during her period with the Ike and Tina Revue. In celebration of the 30th anniversary of What`s Love Got to Do with It, the album was re-released on April 26, 2024, with remixes, single edits and rarities.

Overview
Most of the album is re-recorded songs from the Ike & Tina Turner period including their first successful single, `A Fool in Love`. A total of five new tracks were recorded. Three all new tracks were also included—`I Don`t Wanna Fight`, a top-10 entry in both the US and UK, and her last major American chart success,[6] as well as `Why Must We Wait Until Tonight` and `Stay Awhile`. The album also includes a new Turner version of the Trammps` disco classic `Disco Inferno`, a song she had often performed live in concert during the late 1970s, but which she had never previously recorded in studio. It also includes a new Turner version of `You Know I Love You` which is not the B.B. King song but a slightly different, more blues rock song Turner wrote herself with her bandmates, though she still credited the song to King on the soundtrack. Turner recalls singing the B.B. King ballad in her 1986 memoir, I, Tina. Two tracks from her 1984 breakthrough solo album Private Dancer are included as well—the title track to the film and `I Might Have Been Queen`. The album hit number one on the UK Albums Chart and was certified platinum in various countries including the US, the UK, Switzerland and New Zealand.[7][8][9][10][11]

The US version of the album omits two tracks; `Shake a Tail Feather` and `Tina`s Wish`, the latter being Turner`s version of `Make Me Over` from the 1973 album Nutbush City Limits.

Track listings
All tracks produced by Chris Lord-Alge, Tina Turner and Roger Davies, except `Why Must We Wait Until Tonight` produced by Bryan Adams and Robert John `Mutt` Lange, `I Might Have Been Queen` produced by Rupert Hine and `What`s Love Got to Do with It` produced by Terry Britten.

What`s Love Got to Do with It track listing
No. Title Writer(s) Length
1. `I Don`t Wanna Fight`
Steve DuBerryLuluBilly Lawrie
6:09
2. `Rock Me Baby`
B. B. KingJoe Josea
3:59
3. `Disco Inferno`
Leroy GreenRon Kersey
4:05
4. `Why Must We Wait Until Tonight`
AdamsLange
5:55
5. `Stay Awhile`
BrittenGraham Lyle
4:52
6. `Nutbush City Limits` T. Turner 3:19
7. `(Darlin`) You Know I Love You`
KingJules Taub
4:29
8. `Proud Mary` John Fogerty 5:27
9. `A Fool in Love` Ike Turner 2:56
10. `It`s Gonna Work Out Fine`
Sylvia McKinneyRose McCoy
2:50
11. `Shake a Tail Feather`
Verlie RiceOtis HayesAndre Williams
2:32
12. `I Might Have Been Queen`
HineJeannette ObstojJamie West-Oram
4:20
13. `What`s Love Got to Do with It`
BrittenLyle
3:46
14. `Tina`s Wish`
T. TurnerI. Turner
3:08
Total length: 57:32
Personnel
Musicians
Tina Turner – lead vocals, backing vocals (1, 12)
Steve DuBerry – keyboards (1), drum programming (1), backing vocals (1)
C.J. Vanston – keyboards (1, 2, 3, 5–9, 11, 14), drum programming (1, 5), strings (4)
David Paich – acoustic piano (4)
Robbie King – Hammond B3 organ (4)
Steve McNamara – programming (4)
Rupert Hine – keyboards (12), bass (12), percussion programming (12), backing vocals (12)
Nick Glennie-Smith – keyboards (13)
Billy Livsey – keyboards (13)
Gene Black – guitars (1, 3, 5–9, 11, 14), lead guitar (2)
James Ralston – guitars (1, 2, 3, 5–11, 14), backing vocals (3)
Keith Scott – guitars (4)
Tim Pierce – guitar solo (5)
Jamie West-Oram – guitars (12)
Terry Britten – guitars (13), backing vocals (13)
Bob Feit – bass (2, 3, 6–11, 14)
Curt Bisquera – drums (1, 2, 3, 5–11, 14)
Trevor Morais – drums (12)
Graham Jarvis – drums (13)
Simon Morton – percussion (13)
Tim Cappello – saxophone (1, 2, 3, 6–9, 11, 14), backing vocals (1, 3), horn arrangements (5), bass vocals (8), featured vocals (10)
Lee Thornburg – trombone (1, 3, 6, 8, 11, 14), trumpet (1, 3, 6, 8, 11, 14)
Rick Braun – trumpet solo (4)
Aaron Zigman – string arrangements (1, 5)
Sharon Brown – backing vocals (2, 3, 6, 9, 10, 11, 14)
Jackie Gouche – backing vocals (2, 3, 6, 9, 10, 11, 14)
Jean McClain – backing vocals (2, 3, 6, 9, 10, 11, 14)
The Tuck Back Twins (Bryan Adams and Mutt Lange) – backing vocals (4)
Laurence Fishburne – spoken vocals (8, 10) (film versions only, not on the released soundtrack)
Cy Curnin – backing vocals (12)
Tessa Niles – backing vocals (13)
Production
Roger Davies – executive producer, producer (1, 2, 3, 5–11, 14)
Tina Turner – executive producer, liner notes, producer (2, 3, 5–11, 14)
Chris Lord-Alge – producer (1, 2, 3, 5–11, 14), engineer (1, 2, 3, 5–11, 14), mixing (1–11, 14), remixing (12)
Steve DuBerry – additional producer (1)
Bryan Adams – producer (4)
Robert John `Mutt` Lange – producer (4)
Rupert Hine – producer (12)
Terry Britten – producer (13)
Steve McNamara – engineer (4)
Ron Obvious – engineer (4)
John Hudson – engineer (12), mixing (12)
Bill Leonard – assistant engineer (1, 2, 3, 5–11, 14)
Talley Sherwood – assistant engineer (1–11, 14)
Ben Wallach – assistant engineer (1–11, 14)
Doug Sax – mastering
Norman Moore – art direction, design
Peter Lindbergh – photography
Herb Ritts – photography
Studios

Recorded at Record Plant (Los Angeles, California); Battery Studios and Mayfair Studios (London, UK); Farmyard Studios (Buckinghamshire, England); The Warehouse Studio (Vancouver, British Columbia, Canada).
Overdubbed and Mixed at Image Recording Studios (Los Angeles, California).
Mastered at The Mastering Lab (Hollywood, California).