Izdavač: Ostalo
Žanr: Fank i Soul, Pop, Rok
Poreklo: Strani izvođač

Original, made in Austria

Knjizica od 8 str.

Odlicno ocuvano

knjizica 5 Cd 5
Live album by Billy Joel
Released October 26, 1987
Recorded Summer 1987
Venue
Olympic Stadium, Moscow, Russian SFSR, Soviet Union[1]
V. I. Lenin Sport & Concert Complex, Leningrad, Russian SFSR, Soviet Union[1]
Genre Rock, hard rock, new wave
Length 72:52
Label Columbia
Producer Jim Boyer, Brian Ruggles
Billy Joel chronology
The Bridge
(1986) Kohuept
(1987) Storm Front
(1989)

Billy Joel live chronology
Songs in the Attic
(1981) Kohuept
(1987) 2000 Years: The Millennium Concert
(2000)

Kohuept; Russian: Концерт, [kɐnˈt͡sɛrt]; (sometimes read as Kontsert (/kɒntˈsɛərt/; or Kohliept, English: Concert), released in 1987, is the second live album by Billy Joel. The album was recorded during the Soviet leg of Joel`s 1987 The Bridge tour. This album was co-produced by Jim Boyer and Brian Ruggles and mixed by Jim Boyer. It was rereleased in 2014 with extra tracks as A Matter of Trust: The Bridge to Russia.

Background
In 1986 Billy Joel was invited to perform in the Soviet Union the following year, 1987.[2] Joel took advantage of this opportunity to be a musical ambassador.[3] He was seen as a `nice, safe, first attempt at bringing in an American `pop star."[2]

The concert
The tour of the Soviet Union consisted of six shows, three in Moscow and three in Leningrad. Joel brought his family with him to show the Russians that he felt safe and trusted the Russian people. During the show Joel gave new meanings to songs such as `Honesty`. Each time the song was performed, he dedicated the song to Vladimir Vysotsky, because he was an inspirational Russian man who `spoke the truth.`[2]

During the second of the three concerts performed in Moscow at the Olympic Sports Complex, Joel flipped his electric piano and broke his microphone stand on his grand piano. While performing `Sometimes a Fantasy`, the audience kept getting attention from spotlights, which angered Joel as he felt it was making it harder to connect with them, because crowd members on whom lights shone would suddenly become silent and still.[4] He yelled, `Stop lighting the audience!` He then trashed his instruments, overturning his piano and breaking his mic stand; neither he nor the band stopped performing despite this.[4] He later claimed that `People like their privacy. They go to a concert to get that, to be in the dark and do their own thing.`[2]

Joel brought his daughter Alexa Ray Joel and his wife Christie Brinkley on tour with the band. He also crowd-surfed during his performances. While in Leningrad, Billy dove into the crowd during the performance of `The Longest Time`. This was another way for him to show that he trusted the Russian people.[2]

Joel had played a tour in Europe prior to the tour in the Soviet Union and was being interviewed during the day. As a result, his voice became hoarse. Joel himself stated that he was disappointed by the album and believed his vocals were not up to par during its production.[5] Despite his opinion, Columbia Records released the album, claiming it was a `historic event`. Joel and his band jokingly refer to the album as Kaput.[5]

Impact
Prior to this show, rock music was barely gaining ground in the Soviet Union. The implementation of Gorbachev`s glasnost allowed people of the Soviet Union to witness Western rock. As a result, the government had to learn how to put on concerts, while the people of Russia had to learn how to participate in them.[2] Joel`s Russian tour was the first live rock radio broadcast in Soviet history.[6] Joel and his band were one of the first Western rock groups to perform in Russia, along with John Denver, Elton John, James Taylor, and Santana.[7]

While in Russia, Billy Joel and his daughter Alexa met and became friends with a clown named Viktor. The song `Leningrad` would eventually be written about him. This song was released on the 1989 Storm Front album.

Joel went on to say:

The trip to Russia was probably the biggest highlight for me as a performer. I met these people and they weren`t the enemy. I also hoped that the people in America could see what we did. What happens when your kid says to you `what did you do in the Cold War, Daddy?` And now we have something to say.[5]

Personnel
Billy Joel – vocals, grand piano, harmonica, keyboards, electric guitar
Dave Lebolt – keyboards
Mark Rivera – keyboards, alto saxophone, baritone saxophone, lyricon, tambourine, backing vocals
Russell Javors – acoustic guitars, electric guitars, harmonica, backing vocals
Kevin Dukes – electric guitars, acoustic guitars
Doug Stegmeyer – bass guitar, electric upright bass
Liberty DeVitto – drums, maracas, Simmons drums
Peter Hewlett – percussion, backing vocals
George Simms – percussion, backing vocals
The Georgian Rustavi Ensemble of USSR – vocals on `Odoya`
Oleg Smirnoff – on-stage translation