Izdavač: Ostalo
Žanr: Filmska muzika, Klasična muzika
Poreklo: Strani izvođač

Original, made in EU

Knjizica od 6 str.

Odlicno ocuvano

knjizica 5 Cd 5

Film score by John Williams
Released July 21, 1998
August 28, 2018 (remaster)
Recorded February 21–23, 1998
Studio Symphony Hall, Boston and Boston Symphony Orchestra, Massachusetts
Genre Soundtrack
Length 64:13[1]
Label DreamWorks
La-La Land Records (2018 remaster)
Producer John Williams
John Williams chronology
Amistad
(1997) Saving Private Ryan:
Music from the Original Motion Picture Soundtrack
(1998) Stepmom
(1998)

Saving Private Ryan: Music from the Original Motion Picture Soundtrack is the soundtrack album for the 1998 film Saving Private Ryan, directed by Steven Spielberg. The album was produced by composer John Williams and distributed by DreamWorks Records. Recorded in Symphony Hall, Boston, Massachusetts, the scores were performed by the Boston Symphony Orchestra, with two of the ten compositions featuring vocals from the Tanglewood Festival Chorus. The soundtrack runs for just over an hour, while the film itself lasts over two hours.

Throughout the compositions, brass (especially French Horns), and strings were used to evoke a variety of emotions and tones. The soundtrack received mixed reviews from critics, but was still nominated for several major awards, of which it won the Grammy Award for Best Instrumental Composition Written for a Motion Picture or for Television. Soundtrack opener `Hymn to the Fallen` received some radio play, in particular on the United States holidays Veterans Day and Memorial Day. The soundtrack was remastered and reissued as a commemorative twentieth anniversary edition by La-La Land Records in 2018.

Background
Steven Spielberg and John Williams had worked together on fifteen films before Saving Private Ryan (1998).[2][3] The score was recorded at Symphony Hall in Boston, Massachusetts with the assistance of the Boston Symphony Orchestra.[4][5] After having recorded the re-edited version of Close Encounters of the Third Kind (1977) and some of Schindler`s List (1993) at Symphony Hall previously, this was the third time Spielberg and Williams worked on a soundtrack at this location.[6] Spielberg chose Symphony Hall as the site for the recording because the hall gives `rich, warm sound off the walls and ceiling` and allows you to `hear the air,` which some soundstages do not allow you to do.[6] Spielberg stated he chose to work with the Boston Symphony Orchestra because the film deals with a `company of soldiers` and the orchestra was an `experienced company of musicians.`[6] Over the course of a three-day period in February 1998, the score for the film was recorded at a rate of around $100,000 an hour.[6]

Spielberg and Williams both watched a rough cut of the film to determine what scenes would have music.[6] The two decided to leave music out of the fighting sequences,[3][4] in favor of playing it over long sequences of eight to nine minutes that lack action.[6] The playing of music between fighting sequences gives a moment of reflection for what happened.[5][6] Tom Hanks came to a portion of the recording session and read the Bixby letter – which appears in the movie – to the orchestra at the behest of Williams.[6] This caused the musicians to shuffle their feet in appreciation.[6]

Williams chose to use different families and types of instruments to convey and evoke certain tones within the score.[5] String instruments were chosen to provide a warm sound, brass instruments were utilized for `solemn` sections of the pieces, and horn instruments were used to give off a pensive tone.[5] Military drums were used largely in the piece entitled `Hymn to the Fallen.`[6] The Tanglewood Festival Chorus provided a vocal chorus for `Hymn to the Fallen` that served as a memory to those who have fallen in combat.[5] `Hymn to the Fallen` and its reprise are the only two tracks that feature any sort of vocals and bookend the album.[5][7] Spielberg chose to place `Hymn to the Fallen` on the closing credits because it will `stand the test of time and honor forever the fallen of this war and possibly all wars` and felt it showed Williams` `sensitivity and brilliance.`[7] The album was released on July 21, 1998.[6][8] The soundtrack was remastered and reissued as a commemorative twentieth anniversary edition by La-La Land Records on August 28, 2018, and included two new tracks.[9]

No. Title Length
1. `Hymn to the Fallen` 6:10
2. `Revisiting Normandy` 4:06
3. `Omaha Beach` 9:15
4. `Finding Private Ryan` 4:37
5. `Approaching the Enemy` 4:31
6. `Defense Preparations` 5:54
7. `Wade`s Death` 4:30
8. `High School Teacher` 11:03
9. `The Last Battle` 7:57
10. `Hymn to the Fallen (Reprise)` 6:10
Total length: 64:13


Personnel
Orchestra, performer, and primary artist: Boston Symphony Orchestra
Scoring consultant: Sandy De Crescent
Photography: David James
Music preparation: JoAnn Kane
Trumpet: Tim Morrison
Design: Terry Roberston
Engineer: Shawn Murphy
Horn: Richard `Gus` Sebring
Choir/Chorus, performer, and primary artist: Tanglewood Festival Chorus
Editing: Ken Wannberg
Composer, conductor, primary artist, and producer: John Williams