Izdavač: Ostalo
Žanr: Elektronska muzika, Pop
Poreklo: Strani izvođač

Original, made in Japan

Knjizica od 8 str.

knjizica 5 Cd 3 ima sitnih povrsinskih linijica koje ne uticu na reprodukciju zvuka, radi bez problema

Label:
Alfa – 38XA-14
Format:
CD, Album
Country:
Japan
Released:
Jun 25, 1984
Genre:
Electronic
Style:
Synth-pop

1 Propaganda 1:53
2 Tong Poo = 東風 5:07
3 Behind The Mask 4:34
4 Solid State Survivor 4:00
5 La Femme Chinoise = 中国女 5:12
6 Ongaku = 音楽 3:26
7 Ballet 4:38
8 Wild Ambitions 5:17
9 Expecting Rivers = 希望の河 4:46
10 Key 4:34
11 Technopolis 4:14
12 Rydeen 4:16
13 You`ve Got To Help Yourself = 以心電信 4:18
14 Kageki Na Syukujo = 過激な淑女 4:22
15 Kimi Ni Munekyun -Uwaki Na Vacances- = 君に、胸キュン 4:31
16 Firecracker 5:56
Manufactured By – Alfa Records, Inc
Distributed By – Warner-Pioneer Corporation
Copyright © – Alfa Records, Inc
Pressed By – CBS/Sony Inc.
Recorded At – Budokan
Mixed At – Alfa Studio A
Mastered At – CBS/Sony Shinanomachi Studio
Art Direction – Tsuguya Inoue
Coordinator [A&R Coordination] – Kazusuke Obi
Design – Beans (7)
Drums – David Palmer
Engineer [Assistant] – Akitsugu Doi, Shinji Miyoshi
Engineer [Recording Engineer], Mixed By – Mitsuo Koike
Executive-Producer – Hiroshi Okura
Lyrics By – Chris Mosdell (tracks: 3 to 5), Haruomi Hosono (tracks: 10, 13), Peter Barakan (tracks: 7, 10, 13), Ryuichi Sakamoto (tracks: 6, 8), Takashi Matsumoto (tracks: 14, 15), Yukihiro Takahashi (tracks: 7, 9)
Mastered By – Teppei Kasai*
Music By – Haruomi Hosono (tracks: 10), Martin Denny (tracks: 16), Ryuichi Sakamoto (tracks: 2, 3, 6, 8, 9, 11, 13), YMO* (tracks: 1, 14, 15), Yukihiro Takahashi (tracks: 4, 5, 9, 10, 12, 13)
Producer, Mixed By – YMO*
Live album recorded at Nippon Budokan, Tokyo, Japan, 12-13 Dec. 1983

In comparison to LP version of this album, following tracks are omitted:「Focus」、「Kai-Koh = 邂逅」、「See-Through」. There are also differences in the mixing of the audience between some songs to provide continuous playback.

The principal members are Haruomi Hosono (bass), Yukihiro Takahashi (drums) and Ryuichi Sakamoto (keyboards).

The band was originally conceived as a one-off studio project by Hosono, the other two members being recruited session musicians - the idea was to produce an album fusing orientalist exotica (cf their cover version of Martin Denny`s Firecracker) with modern electronics. However the first album (with its cutting-edge production) was very popular, and the studio project grew into a fully fledged touring band and career for its three members.

Making abundant use of new synthesizers, samplers, digital and computer recording technology as it became available, their popularity and influence extended beyond Japan. Generally the band are highly regarded as pioneers of electronic music, and continue to be remixed and sampled by modern artists.

The band had stopped working together by 1984 (deliberately using a Japanese term meaning `spreading out` or `branching out` rather than saying they were `splitting up`); the three members returning to their solo careers but continuing to collaborate. They released a one-off reunion album, Technodon, in 1993.

The early 2000s saw Hosono & Takahashi reunited in a project called Sketch Show. On a number of occasions Ryuichi Sakamoto has joined in on Sketch Show performances and recording sessions. He later proposed they rename the unit `Human Audio Sponge` when he participates, although outside Japan they also used `Yellow Magic Orchestra` until ownership issues with former label Alfa were resolved, so subsequent live releases use the original band name.

Oricon chart statistics -
Singles:
Technopolis : 9 in Oricon chart, 293,000 copies sold
Rydeen: 15 in Oricon chart, 225,000 copies sold
Tighten Up: 43 in Oricon chart, 38,000 copies sold
Kimi Ni Mune Kyun: 2 in Oricon chart, 347,000 copies sold
Kageki Na Shukujo: 15 in Oricon chart, 79,000 copies sold
Ishin Denshin: 23 on Oricon chart, 57,000 copies sold

Albums:
Yellow Magic Orchestra (US Mix): 20 on Oricon chart, 250,000 copies sold
Solid State Survivor: 1 on Oricon chart, 1,021,000 copies sold
Public Pressure: 1 on Oricon chart, 393,000 copies sold
Multiplies (Mini LP): 1 on Oricon chart, 412,000 copies sold
Multiplies (US version): 7 on Oricon chart, 186,000 copies sold
BGM: 2 on Oricon chart, 275,000 copies sold
Technodelic: 4 on Oricon chart, 118,000 copies sold
Naughty Boys: 1 on Oricon chart, 243,000 copies sold
Naughty Boys Instrumental: 18 on Oricon chart, 31,000 copies sold
Service: 5 on Oricon chart, 135,000 copies sold
After Service: 2 on Oricon chart, 123,000 copies sold
(Source - booklet of the compilation `We Love YMO`, 1998)