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Studio album by Eric Dolphy
Released August 1964[1]
Recorded February 25, 1964
Studio Van Gelder Studio, Englewood Cliffs, New Jersey
Genre Avant-garde jazz
Length 42:31
Label Blue Note
Producer Alfred Lion
Eric Dolphy chronology
Conversations
(1963) Out to Lunch!
(1964) Last Date
(1964)

Out to Lunch! is a 1964 album by jazz multi-instrumentalist Eric Dolphy. His only recording on Blue Note as a leader, it was issued as BLP 4163 and BST 84163. Featuring Dolphy in a quintet with trumpeter Freddie Hubbard, vibraphonist Bobby Hutcherson, bassist Richard Davis and drummer Tony Williams, it was generally considered by critics as one of the finest albums issued on Blue Note, and widely viewed as one of the high points of 1960s avant-garde jazz.[2] The album cover designed by Reid Miles features a photo of a `Will Be Back` sign displayed in a shop window showing a seven handed clock.

Background
Dolphy declared `Everyone`s a leader in this session`,[3] and he was fortunate to be joined by four sympathetic musicians, three of whom had previously performed and recorded with him. Freddie Hubbard had roomed with Dolphy when they both first arrived in New York,[4] and was featured on Outward Bound (1960), Dolphy`s first album as a leader. Dolphy and Hubbard also appeared together on Ornette Coleman`s 1960 album Free Jazz. Bobby Hutcherson had participated in the July 1963 recording sessions that produced the Dolphy albums Iron Man and Conversations. Dolphy expressed his excitement regarding the opportunity to work with Hutcherson again, stating: `Bobby`s vibes have a freer, more open sound than a piano. Pianos seem to control you, Bobby`s vibes seems to open you up.`[3]

Bassist Richard Davis had also participated in the July 1963 sessions, during which he recorded a number of duets with Dolphy (`Come Sunday`, `Ode to Charlie Parker`, and `Alone Together`). Davis was also the bassist on Dolphy and Booker Little’s dates At the Five Spot in 1961. One reviewer stated that the pair `had one of the more meaningful connections in jazz; they communicated almost telepathically, as if completing each other`s thoughts.`[5] Dolphy commented: `Richard doesn`t play the usual bass lines. He plays rhythm with his lines. He leads you somewhere else.`[3] Drummer Tony Williams, listed as `Anthony Williams` on the album, had turned 18 in December 1963, and was a member of Miles Davis` quintet at the time of the Out to Lunch! recording session. Regarding Williams, Dolphy stated: `Tony doesn`t play time, he plays pulse.`[3]

Dolphy biographers Vladimir Simosko and Barry Tepperman praised the musical chemistry of this group, observed that `the other musicians match and support [Dolphy`s] conception with a truly fantastic sense of freedom and interplay,`[6] and writing: `The contributions of the other musicians are potent and striking; the success of the date is to a large degree due to their capacities not only as soloists relating to themes and the other soloists, but in the collective interaction and interplay implicit in Dolphy`s conception of the music.`[7]

Roughly a month after the Out to Lunch! session, Dolphy, Davis, and Williams participated in the recording of Andrew Hill`s album Point of Departure. Beyond that, Dolphy, in the liner notes, stated: `I`m on my way to Europe to live for awhile. Why? Because I can get more work there playing my own music, and because if you try to do anything different in this country, people put you down for it.`[3] Dolphy died from a diabetic coma on June 29.[8] He had completed a European tour with Charles Mingus earlier in the year and performed in concerts under his own name.[9]

Music
The title of the album`s first track, `Hat and Beard`, refers to Thelonious Monk, about whom Dolphy stated: `He`s so musical no matter what he`s doing, even if he`s just walking around.`[3] The piece features wild bass clarinet playing, and contains a percussive interlude featuring Williams and Hutcherson. `Something Sweet, Something Tender` also features Dolphy on bass clarinet, and includes a scored duet between Dolphy and Davis on bowed bass.[7] Dolphy commented: `The group got just the lyrical feeling that I wanted, and, taking it out, Richard and I really got together in the unison duet.`[3] The third composition, `Gazzelloni`, which showcases some of Dolphy`s most advanced flute work,[7] was named after classical flautist Severino Gazzelloni,[3] but is actually the album`s most conventional, bop-based theme. Dolphy noted: `Everybody holds to the construction for the first 13 bars, then - freedom.`[3]

The second side features two long pieces with Dolphy on alto saxophone. On the title track, the pulse is implied rather than being stated explicitly, which lends a sense of freedom.[6] Dolphy commented: `Notice Tony. He doesn`t play time, he plays. Even though the rhythm section breaks the time up, there`s a basic pulse coming from inside the tune. That`s the pulse the musicians have to play.`[3] The final track, `Straight Up and Down`, was intended to evoke a drunken stagger.[3] Dolphy`s solo contains swaggering, voice-like lines on which he employs multiphonics and smears.[7] Regarding the group`s contribution, he stated: `It gasses me that everyone was so free. I wanted a free date to begin with. All rhythm sections are different, but this one was really open...`[3]

In late 2013, two previously unissued performances were released on Toshiba EMI TYCJ-81013 in Japan. These are alternate takes of the two bass clarinet tunes `Hat and Beard`, and `Something Sweet, Something Tender`.

All compositions by Eric Dolphy.

`Hat and Beard` – 8:24
`Something Sweet, Something Tender` – 6:02
`Gazzelloni` – 7:22
`Out to Lunch` – 12:06
`Straight Up and Down` – 8:19
Personnel
Eric Dolphy – bass clarinet (1 & 2), flute (3), alto saxophone (4 & 5)
Freddie Hubbard – trumpet
Bobby Hutcherson – vibraphone
Richard Davis – bass
Tony Williams – drums