Izdavač: Ostalo
Žanr: Rege, Ska i Dab, Rok
Poreklo: Strani izvođač

Original, made in USA

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Studio album by The Specials
Released 19 October 1979
Recorded Summer 1979
Studio TW Studios, Fulham, London
Genre
Skareggae2 Tonepunk rocknew wave[1]
Length 45:11
Label 2 Tone
Producer Elvis Costello
The Specials chronology
The Specials
(1979) More Specials
(1980)

The Specials is the debut album by British ska revival band the Specials. Released on 19 October 1979[2] on Jerry Dammers` 2 Tone label, the album is seen by some as the defining moment in the UK ska scene. Produced by Elvis Costello, the album captures the disaffection and anger felt by the youth of the UK`s `concrete jungle`—a phrase borrowed from Bob Marley`s 1973 album Catch a Fire—used to describe the grim, violent inner cities of 1970s Britain. The album features a mixture of original material and several covers of classic Jamaican ska tracks.

A live version of `Too Much Too Young` was later released on a five-track EP, The Special AKA Live!, which went to number one on the UK charts. "A Message to You, Rudy` was also released as a single. A digitally remastered edition also featuring promotional videos to `Gangsters` and `Too Much Too Young` as enhanced content was released by EMI in 2002. The album was included in the book 1001 Albums You Must Hear Before You Die.

Composition
Musically, The Specials encapsulates the first wave of British ska, greatly reworking the original sound of 1960s Jamaican ska. The music shares the infectious energy and humour of the original sound, but injects new-found anger and punk sensibility. The resulting sound is considerably less laid-back and `Caribbean` sounding than original ska, and dispensed with much of the percussion and the larger horn sections used in the older variety. The Specials also brought guitar to the front of the mix; it had often been a secondary instrument in Jamaican ska.

Several of the album`s songs are covers of older Jamaican songs. `Monkey Man` had been a hit for Toots & the Maytals in 1969, `Too Hot` was a Prince Buster original from 1966, and the opening track, `A Message to You, Rudy` was a Dandy Livingstone single in 1967. `You`re Wondering Now` was originally performed by duo Andy & Joey and later covered by The Skatalites; the vocal version was recorded by Andy & Joey in 1964. Other tracks are reworkings of Jamaican originals: `Too Much Too Young` was based on Lloyd Charmers` `Birth Control` and `Stupid Marriage` draws heavily on the Prince Buster hit `Judge 400 Years` (also known as `Judge Dread`).

Trombonist Rico Rodriguez, who performed on many `50s and `60s Jamaican recordings before moving to London in 1962, played on the band`s version of `A Message to You, Rudy`, as he had on the original recording 15 years previously. Rodriguez`s appearance on the album considerably added to the album`s credentials.
Legacy
In a retrospective review, AllMusic described the record as `a perfect moment in time captured on vinyl forever... It was an utter revelation—except for anyone who had seen the band on-stage, for the album was at its core a studio recording of their live set, and at times even masquerades as a gig`. It felt the album captured the feeling of `Britain in late 1979, an unhappy island about to explode`, and that `The Specials managed to distill all the anger, disenchantment, and bitterness of the day straight into their music`.[3] In 2008, BBC Music agreed that the economic and political conditions of the day had heightened the record`s impact, saying, `To understand the impact of this spearhead of the ska revival on early Thatcherite Britain you have to imagine something so left field and yet so apt occurring today. It was as if depression-era dustbowl ballads suddenly became hip again in this era of global economic meltdown. Hardly anyone would have predicted that a musical form so tied to its Afro-Caribbean heritage (as well as its less cool skinhead connections) could, almost overnight, become the trendiest thing across the nation`. It concluded that The Specials `was a classic example of a band making an almost perfect first album, acting as both a mission statement (the rise of right wing groups opposed by the message of Two Tone equality) and as an alternative way to have fun without having to pogo or spit ...The Specials remains a snapshot of a bleaker time, and a wrily comical antidote to political and cultural indifference anywhere`.[16] However, Mojo`s David Hutcheon, reviewing the reissue, felt that `Specials doesn`t feel quite as exciting as it did 23 years ago`.[17]

In June 2000, Q placed The Specials at number 38 on its list of the 100 greatest British albums ever.[18] Pitchfork featured The Specials at number 42 on its list of the 100 best albums of the 1970s.[19] Rolling Stone listed the album at number 68 on its list of the 100 best albums of the 1980s, as the album was not released in the US until 1980.[20] In 2013, NME ranked The Specials at number 260 on its list of `The 500 Greatest Albums of All Time`.[21]

Track listing
Side one
`A Message to You Rudy` (Dandy Livingstone) – 2:53
`Do the Dog` (Rufus Thomas; arrangement by Jerry Dammers) – 2:09
`It`s Up to You` (Dammers, The Specials) – 3:25
`Nite Klub` (Dammers, The Specials) – 3:22
`Doesn`t Make It Alright` (Dammers, Dave Goldberg, Mark Harrison) – 3:26
`Concrete Jungle` (Roddy Byers) – 3:18
`Too Hot` (Cecil Campbell) – 3:09
Side two
`Monkey Man` (Toots Hibbert) – 2:45
`(Dawning of A) New Era` (Dammers) – 2:24
`Blank Expression` (Dammers, The Specials) – 2:43
`Stupid Marriage` (Dammers, Mark Harrison, Neville Staple, Cecil Campbell) – 3:49
`Too Much Too Young` (Dammers, acknowledgment to Lloyd Charmers) – 6:06*
`Little Bitch` (Dammers)† – 2:31
`You`re Wondering Now` (Clement Seymour) – 2:36
* Canadian and some US pressings of the album have a shorter, 2:16 version of this song.

† On some US releases, the song `Gangsters` (Dammers, Cecil Campbell) appears between `Too Much Too Young` and `Little Bitch`. In Australia and New Zealand, `Gangsters` was included between `Do the Dog` and `It`s Up to You`.

Personnel
The Specials
Terry Hall – vocals
Neville Staple – vocals
Lynval Golding – rhythm guitar, harmonica, vocals
Roddy Radiation (Roderick Byers) – lead guitar, vocals (on `Concrete Jungle`)
Horace Panter – bass guitar
John Bradbury – drums
Jerry Dammers – keyboards
Guest musicians
Rico Rodriguez – trombone
Dick Cuthell – horns
Chrissie Hynde – vocals on `Nite Klub`
Technical
Dave Jordan - engineer
Carol Starr, Chalkie Davies - sleeve design