Godina izdanja: 1991
Žanr: Džez, Ostalo
Izdavač: New World Records
Poreklo: Strani izvođač

Paul Dresher & Ned Rothenberg – Opposites Attract
New World Records – 80411-2, CounterCurrents – 80411-2

1 Orient And Tropic 11:04
2 The Long Seven 3:17
3 Yuuniik 2:30
The Untold Story
4 Sidi Infi / Bolero In Straight Jabs 4:13
5 The Edge Of Sleep 3:57
6 Shriek 4:10
7 The Paddling Floes 7:02
8 This Endup 4:15
-
9 Opposites Attack 5:13
10 Skronk 4:16
11 Straight Jabs Redux / Finale 6:07

Alto Saxophone – Ned Rothenberg (tracks: 2 to 8, 11)
Bass Guitar [Electric Bass Guitar] – Anthony Jackson (tracks: 1 to 8, 11)
Bass [Solo Arco] – Mark Dresser (tracks: 4 to 8)
Design [Cover], Artwork [Art] – Steve Byram
Double Bass [Acoustic Bass] – Mark Dresser (tracks: 1 to 3)
Drums – Bobby Previte (tracks: 1 to 3), Samm Bennett (tracks: 4 to 8, 11)
Electronic Drums, Shaker [Shakers] – Samm Bennett (tracks: 4 to 8)
Engineer – Andrew Milano
Engineer [Additonal Recording At Nash Studios] – Laeticia de Compiegne Sonami
Engineer [Additonal Recording At Radio City Studios] – Don Hunerburg
Engineer [Assistant] – Joseph Bartoldus, Lance Neal
Executive-Producer – Arthur Moorhead
Guitar – Paul Dresher (tracks: 1 to 9, 11)
Loops [Loop System] – Paul Dresher (tracks: 1 to 8)
Music By, Liner Notes – Ned Rothenberg, Paul Dresher
Producer [Produced By] – Lee Townsend, Ned Rothenberg, Paul Dresher
Sampler [Sampling] – Ned Rothenberg (tracks: 4 to 8, 10), Paul Dresher (tracks: 1 to 8, 10, 11)
Sequenced By [Sequencing] – Ned Rothenberg (tracks: 1 to 8, 10), Paul Dresher (tracks: 2 to 8)
Shakuhachi – Ned Rothenberg (tracks: 1, 4 to 8)
Technician [Tape Loop System] – Paul Dresher, Paul Tydelsky
Tenor Saxophone – Ned Rothenberg (tracks: 4 to 8)

Recorded and mixed at Home Base Studios, NYC, July & December, 1990
Additional recording at Radio City Studios, July 1987, and at Nash Studios, Oakland California, June 1987
Tape loops and sample recording at Minmax Studios, Berkeley, California 1986-90
Additional sample recording at Park Place Studio, Brooklyn, New York, 1990
Finished sampling was done with an Akai S1000 Stereo Digital Sampler, some earlier work on Akai S900 and 612 (no synthesizers used)
Sequencing done with C-Lab Notator program
Additional sample editing: Digidesign Sound Tools and Dound Designer
Initial work was made possible by a Nonesuch Commission award from the American Music Center to Paul Dresher
This recording was made possible with grants from the Lila Wallace-Reader`s Digest Fund, the Mary Flagler Cary Charitable Trust, and the National Endowment for the Arts

`We would like to thank the contributing musicians for their improvisational and compositional input`
Special thanks to: Kathryn King, Margaret Jenkins, Richard Eisenstein, Mark Helias, Jay Cloidt, Tim Berne, Adam Rudolph, Yale Evelev, Elliott Sharp, Robin Kirck, Lois Ellison, and Jamie Lowerly

℗ & © 1991 Recorded Anthology of American Music, Inc.


stanje diska: 4+/5
stanje omota: 5/5