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ORIGINAL STRANO IZDANJE
2 CD

The Music Machine – The Ultimate Turn On
Label: Big Beat Records – CDWIK2 271
Format:
CD, Album, Reissue, Remastered
CD, Compilation, Enhanced
Country: UK
Released: 2006
Genre: Rock
Style: Garage Rock
The Album And Singles
1-1 Talk Talk 1:57
1-2 Trouble 2:12
1-3 Cherry Cherry
Written-By – Neil Diamond
3:15
1-4 Taxman
Lead Vocals – Doug Rhodes (2)
Written-By – George Harrison
2:36
1-5 Some Other Drum 2:32
1-6 Masculine Intuition 2:09
1-7 The People In Me 2:51
1-8 CC Rider
Written-By – Ma Rainey
2:31
1-9 Wrong 2:16
1-10 96 Tears
Written-By – Rudy Martinez
2:17
1-11 Come On In 2:56
1-12 Hey Joe
Written-By – Billy Roberts
4:16
1-13 Double Yellow Line 2:32
1-14 Absolutely Positively 2:26
1-15 The Eagle Never Hunts The Fly 2:48
1-16 I`ve Loved You 2:46
1-17 Talk Talk 1:56
1-18 Trouble 2:12
1-19 Cherry Cherry
Written-By – Neil Diamond
3:11
1-20 Taxman
Lead Vocals – Doug Rhodes (2)
Written-By – George Harrison
2:34
1-21 Some Other Drum 2:32
1-22 Masculine Intuition 2:06
1-23 The People In Me 2:58
1-24 CC Rider
Written-By – Ma Rainey
2:31
1-25 Wrong 2:16
1-26 96 Tears
Written-By – Rudy Martinez
2:18
1-27 Come On In 2:54
1-28 Hey Joe
Written-By – Billy Roberts
4:16
Previously Unissued Original Sound Recordings
2-1 The People In Me (Rehearsal) 2:51
2-2 Trouble (Rehearsal) 2:20
2-3 Masculine Intuition (Rehearsal) 2:37
2-4 The Eagle Never Hunts The Fly (Demo) 4:17
2-5 Sufferin` Succotash (Demo) 2:38
2-6 Worry (Demo)
Lead Vocals – Ron Edgar
2:08
2-7 No Girl Gonna Cry (Demo) 2:03
2-8 Smoke & Water (Demo) 3:28
2-9 I`ve Love You (Demo) 2:32
2-10 Discrepancy (Demo) 1:59
2-11 Bottom Of The Soul (Demo) 2:02
2-12 The Trap (Demo) 2:26
2-13 Absolutely Positively (Early Mix) 2:07
2-14 Somethin` Hurtin` On Me (Early Mix) 2:53
2-15 Affirmative No (Early Mix) 2:30
2-16 Talk Me Down (Original Mix) 1:49
2-17 Astrologically Incompatible (Original Mix) 2:22
2-18 Worry (Original Mix)
Lead Vocals – Ron Edgar
2:13
2-19 No Girl Gonna Cry (Original Mix) 2:23
2-20 Smoke & Water (Original Mix) 3:14
2-Video1 Talk Talk (From KHJ-TV`s `Boss City`, 1966)
2-Video2 Cherry Cherry (From KHJ-TV`s `Boss City`, 1966)
Written-By – Neil Diamond
Recorded At – RCA Studios, Hollywood
Recorded At – Original Sound Studio
Recorded At – Studio 76
Recorded At – Cosimo Recording Studio
Bass, Guitar, Vocals – Keith Olsen
Compiled By, Concept By, Research – Alec Palao
Design [Cover] – Phil Smee
Design [Package Design] – Jools De Vere
Drums, Vocals – Ron Edgar
Engineer – Dick Bogert (tracks: 1-1 to 1-28), Paul Buff (tracks: 1-1 to 1-28)
Keyboards, Bass, Flute, Horn – Doug Rhodes (2)
Lead Guitar – Mark Landon
Lead Vocals, Rhythm Guitar, Horn – Sean Bonniwell
Liner Notes – Alec Palao
Mastered By – Nick Robbins
Producer [Original] – Brian Ross
Producer [Pre-production] – Alec Palao, Wally Sound
Written-By – Sean Bonniwell (tracks: 1-1, 1-2, 1-5 to 1-7, 1-9, 1-11, 1-13 to 1-18, 1-20 to 1-23, 1-25, 1-27, 2-1 to 2-20)
Disc 1
Tracks 1-1 to 1-12 Mono version of original LP. The Music Machine - (Turn On) The Music Machine
Tracks 1-13 and 1-14 originally released as The Music Machine - Double Yellow Line
Tracks 1-15 and 1-16 originally released as The Music Machine - The Eagle Never Hunts The Fly
Tracks 1-17 to 1-28 Stereo version of original LP. The Music Machine - Turn On

Disc 2
All tracks mono.

Inlay & Discs:
Made in Germany


Genre:Psych / Garage

Label:Big Beat

Over twenty years ago, Big Beat reissued garage rock legends the Music Machine’s classic 1966 debut TURN ON on vinyl. We now present that same groundbreaking album in a gloriously expanded, remastered 2-CD format as THE ULTIMATE TURN ON. Loaded with a full bonus disc of unissued material, including rehearsal tapes, demos and two eye-popping vintage TV performances, “The Ultimate Turn On” collects together the complete recordings of the original, definitive line-up of the band, famed for their heart-stopping avant-rock hit Talk Talk.

Here’s what the charismatic, erudite leader of the Machine, SEAN BONNIWELL, has to say about “The Ultimate Turn On”

When Alec Palao’s all-pro white-collar “ULTIMATE” unfolded from his laptop, a long-awaited treasured aspiration was realized; the definitive works of the original Music Machine had at last, arrived.

The continuity of the total presentation is stunning, embodied with a fresh and commanding timelessness that urges the eye, mind (and ear) into the inner mechanism of the Machine’s collective soul. It’s as if a layer of MM mystique has been meticulously unearthed and artfully reassembled by a gifted - technically advanced - music paleontologist [Palao-ontologist]: The once buried ultimate understanding of garage rock, MM style, is, as of this release, brought to light as if shining on a newly arisen plateau.

The tracks, which are nothing short of magical, confound and confront each member’s personal retrospectives, most of which are at odds with the sum total of the whole, deepening the mystery of the Music Machine’s unity as the group pursued - and ultimately captured - what rock historians acknowledge was the vanguard of a genera. For this reason, I would have preferred the omission of certain outtakes, but these conceptual embryos provide the listener with a progressive evolution - a musical gestalt - heretofore unattainable without the two or three ‘takes’ on hand (gloved, of course); ie, rehearsal tapes, first mix, final mix - and even then, the listener may have to cross reference all versions of each song’s development many times over, to garner fully informed enlightenment.

This is but one aspect of “The Ultimate Turn On”’s artful intentions: the re-mastered mono Music Machine classics are nothing short of brilliant -- a painfully overdue resurrection of the band’s dedicated and hard fought-for standard of excellence, not to mention maintenance thereof. No “Ultimate” would be so without mono and stereo renditions, but on hearing the mono re-mastered MM classics, the issue of preference is delivered moot; truth be told, the Machine’s complex musical arrangements were - and are - intentionally tooled to be heard and appreciated specifically by the collaborated sonic impact only mono can, and does, provide.

The deal is, the Music Machine’s modus operandi is now an open hand of cards. The consummate MM fan, the purist - disciples of the era and critics alike - are now able to hear the Machine’s inner gears refine, polish, and re-cut its diamonds in the rough; the rehearsal garage tapes reveal this in spades, being most evident in Discrepancy, Masculine Intuition, and The Eagle Never Hunts The Fly (to name just three). As for the aforementioned classic re-mastered mono MM tracks -- and the “Ultimate Turn On” package as a whole, it is sonically glorious.

A final, ultimate suggestion; with the possible exception of Big Beat’s early re-issue, you now have our official permission to throw away all previously released “Turn On” compilations; those products are deformed bastard children of blue-collar wanna-be deaf-mutes.

His Will, at last, be done,

The Music Machine was an American rock band formed in Los Angeles, California in 1966. Fronted by chief songwriter and lead vocalist Sean Bonniwell, the band cultivated a characteristically dark and rebellious image reflected in an untamed musical approach. Sometimes it made use of distorted guitar lines and hallucinogenic organ parts, punctuated by Bonniwell`s distinctively throaty vocals. Although they managed to attain national chart success only briefly with two singles, the Music Machine is today considered by many critics to be one of the groundbreaking acts of the 1960s. Their style is now recognized as a pioneering force in proto-punk; yet within a relatively short period of time, they began to employ more complex lyrical and instrumental arrangements that went beyond the typical garage band format.

In 1965, the band came together as a folk rock trio known as the Raggamuffins, before expanding to the quintet that was later rechristened the Music Machine. The group was known for their style of dress, clothing themselves in all-black attire. In 1966, the Music Machine was signed to Original Sound, and released its first single `Talk Talk` in the latter half of the year, with it reaching the Top 20 of the Billboard Hot 100. Their debut album (Turn On) The Music Machine and the moderate hit `The People in Me` followed. The band`s original lineup fragmented in late 1967 after managerial and financial disputes. Bonniwell reassembled the group under the name The Bonniwell Music Machine. In 1968, a second album, The Bonniwell Music Machine appeared, but the group disbanded in early 1969.