Izdavač: Ostalo
Žanr: Hard Rok i Metal, Rok
Poreklo: Strani izvođač

Original, made in Holland

Knjizica od 8 str.

Odlicno ocuvano

knjizica 5 Cd 5-

Studio album by Marillion
Released 12 March 1984[1]
Recorded November 1983 – February 1984
Studio
The Manor (Oxfordshire)Sarm East (London)Eel Pie (London)Maison Rouge (London)
Genre
Neo-proghard rock[2]
Length 45:56
Label EMI
Producer Nick Tauber
Marillion chronology
Script for a Jester`s Tear
(1983) Fugazi
(1984) Real to Reel
(1984)
Fugazi (titled after a military slang term well-known at the time of release), is the second studio album by the British neo-prog band Marillion, released in 1984. Produced by Nick Tauber, it was recorded between November 1983 and February 1984 at various studios and was the first to feature drummer Ian Mosley, following the dismissal of the band`s original drummer Mick Pointer.

According to AllMusic, the album `streamlined the intricacies of the group`s prog rock leanings in favour of a more straight-ahead hard rock identity`.[2] Built upon the success of its predecessor, Script for a Jester`s Tear, Fugazi reached the UK Top 5[4] and went Gold.[5]

Background
Following their first album and its support tour, Marillion found themselves behind schedule, under pressure from EMI Records to deliver a second album. Producer Nick Tauber worked the band hard, having them stop into various rehearsal and recording studios to write songs, and to find a drummer. All three drummers to date - Mick Pointer, Andy Ward and John Marter - had been fired.[6] American drummer Jonathan Mover auditioned in London in September 1983, and two days later was performing with Marillion in Germany.

Marillion settled into Rockfield Studios in Wales to compose some songs. According to an interview with Mover, the various band members had been working separately on songs when the band`s front man, Fish, asked whether they agreed with his new idea that it should be a concept album like Pink Floyd`s The Wall. The more veteran band members said `maybe,` but new drummer Mover said it was a bad idea, that the current crop of songs was not connected by any theme, and would have to be scrapped. According to Mover, Fish took this as a challenge to his authority and he was fired from the band.[6] Fish said later, `Jonathan Mover left me cold, but the musicians loved him because he was super-technical. I felt I was being railroaded. All he could talk about was drums, and he didn’t fit in to the band`s social element.`[7] Mover received a writing credit for the single `Punch and Judy`.[8]

The production schedule ran so late that Marillion had to begin their album support tour with new drummer Ian Mosley before the album was ready.[6]

All tracks are written by Fish, Mark Kelly, Steve Rothery, Pete Trewavas, except where noted

Side one
No. Title Writer(s) Length
1. `Assassing` 7:03
2. `Punch & Judy` Fish, Kelly, Rothery, Trewavas, Jonathan Mover 3:22
3. `Jigsaw` 6:51
4. `Emerald Lies` Fish, Kelly, Rothery, Trewavas, Ian Mosley 5:12
Side two
No. Title Writer(s) Length
5. `She Chameleon` 6:55
6. `Incubus` Fish, Kelly, Rothery, Trewavas, Mosley 8:32
7. `Fugazi` Fish, Kelly, Rothery, Trewavas, Mosley 8:03
Total length: 45:56

Personnel
Marillion
Fish – vocals; cover concept
Steve Rothery – guitars; photography (1998 remastered edition)
Mark Kelly – keyboards
Pete Trewavas – bass
Ian Mosley – drums
Jonathan Mover – drums (`Punch & Judy (Demo)`)
Additional musicians
Linda Pyke – backing vocal (on `Incubus`)
Chris Karan – additional percussion
Technical personnel
Nick Tauber – Original album production
Simon Hanhart – Original album recording and mixing
Andy Bradfield, Avril Mackintosh - 2021 remix
Mark Wilkinson – sleeve design and illustration; photography (1998 remastered edition)
Julie Hazelwood – sleeve design and illustration (pictures on the wall)
Peter Mew – 1998 digital remastering (April — July 1997 at Abbey Road, London)
Bill Smith Studio – repackaging design (1998 remastered edition)