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Godina izdanja: 2018
ISBN: 9781855147607
Jezik: Engleski
Oblast: Slikarstvo
Autor: Strani
ELIZABETH COWLING
PICASSO PORTRAITS
Izdavač - Thames and Hudson, London
Godina - 2018
256 strana
28x23 cm
ISBN - 9781855147607
Povez - Broširan
Stanje - Kao na slici, tekst bez podvlačenja
SADRŽAJ:
Contents
Directors` foreword
Sponsor`s foreword
List of lenders
Introduction
1. Launching a career, 1895-1900
2. Experiments with form: Paris and Barcelona, 1900-1904
3. Paris: new circles, shifting styles, 1904-1910
4. Photography and the return to classic styles, 1915-1927
5. The many faces of Picasso`s portraiture, 1927-1944
6. Picasso`s post-war portraiture
7. Picasso with the old masters
Bibliography
Acknowledgements
Exhibition works and other illustrations
Photography credits
Indexes
`From first to last, Picasso’s prime subject was the human figure and portraiture remained a favourite genre. His earliest portraits were done from life and reveal a precocious ability to catch likeness and suggest character and state of mind. B y 1900 Picasso was producing portraits of astonishing variety and thereafter they reflected the full range of his innovative styles – symbolist, cubist, neoclassica l, surrealist, expressionist. B ut however extreme his departur e from representational conventions, Picasso never wholly abandoned drawing from the sitter or ceased producing portraits of classic beauty and naturalism. For all his radical originality, Picasso remained in constant dialogue with the art of the past and his portraits often alluded to canonical masterpieces, chosen for their appropriateness to the looks and personality of his subject. Treating favourite Old Masters as indecorously as his intimate friends, he enjoyed caricaturing them and indulging in fant asies about their sex lives that mirrored his own obsession with the interaction of eroticism and creativity. His late suites of free ‘ variations ’ after Velázquez’s Las Meninas and Rembrandt’s The Prodigal Son , both of which involve self - portraiture, allow ed him to ruminate on the complex psychological relationship of artist and sitter, and continu ities between past and present. When Picasso depicted people in his intimate circle, the nature of his bond with them inevitably influenced his interpretation. T he focus of this book is not, however, Picasso’s life story but his creative process, and, although following a broadly chronological path, its chapters are structured thematically. Issues addressed in depth include Picasso’s exploitation of familiar pose s and formats, his sources of inspiration and identification with favourite Old Masters, the role of caricature in his expressive conception of portraiture, the relationship between observation, memory and fantasy, critical differences between his portray al of men and women, and the motivation behind his defiance of decorum and the extreme transformation of his sitter’s appearance.`
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Pablo Pikaso Portreti Guillaume Apollinaire Russes Ballets Montmartre Beteau Lavoir Brassai Gyula Halasz Carles Casagemas Ramoon Casas Sarbo Cubism Kubizam Nusch Eluard Paul Eluard Angel Fernandez De Soto Francoise Gilot El Greco Jean Auguste Dominique Ingres Sebastia Junyer Vidal Daniel Henry Kahnweiler Olga Khokhlova Dora Maar Henri Matisse Catalan Modernisme Fernande Olivier Lavoir Bateau Roland Penrose Claude Picasso Paloma Picasso Josep Rocarol Faura Pere Romeu Jacqueline Roque Don Jose Ruiz Blasco Santiago Rusiol Jaume Sabartes Andre Salmon Gertrude Stein Surrealism Symbolism Henri De Toulouse Lautrec Diego Velazquez Ambroise Vollard Marie Therese Walter