Izdavač: Ostalo
Žanr: Elektronska muzika, Pop, Svetska i Kantri muzika
Poreklo: Strani izvođač

Original, made in Holland

Knjizica od 4 str.

Odlicno ocuvano

knjizica 5- Cd 5

Studio album by Enigma
Released 3 December 1990
Recorded 1990
Studio A.R.T. (Ibiza, Spain)
Genre
New-ageworldbeatpop
Length 40:16
Label
VirginCharisma
Producer Michael Cretu
Enigma chronology
MCMXC a.D.
(1990) The Cross of Changes
(1993)
MCMXC a.D. is the debut studio album by the German musical project Enigma, led by Romanian-German musician Michael Cretu. It was released in Europe by Virgin Records on 3 December 1990, and in the United States by Charisma Records on 12 February 1991. Cretu became fascinated with mixing archaic sounds with modern music after producing German pop singer Sandra`s song `Everlasting Love`, for which he experimented with Gregorian chant. Following Michael Cretu and Sandra`s marriage in 1988, Michael developed the idea of the musical project Enigma and recorded the album over the course of eight months in 1990 at A.R.T. Studios.

MCMXC a.D. combines new-age music with dance rhythms, as well as combining themes of religion and Gregorian chant with sexuality, for which the album received generally positive reviews from music critics. The Gregorian chant was taken from recordings by Capella Antiqua München, which resulted in the Munich-based choir`s label, Polydor Germany suing Cretu and Virgin Records for infringing on its `right of personality`.[1] The case was dropped after Cretu agreed to pay compensation.

Commercially, MCMXC a.D. became a worldwide success, reaching the top 10 on record charts in 10 countries, including charting at number six in the United States, staying on the country`s Billboard 200 chart for 282 weeks. It was certified quadruple platinum in the US by the Recording Industry Association of America (RIAA). Four singles from the album were released: `Sadeness (Part I)`, `Mea Culpa (Part II)`, `Principles of Lust`, and `The Rivers of Belief`. The lead single topped charts worldwide.

Background and release
In 1987, Michael Cretu worked with Sandra on her song `Everlasting Love`. Cretu experimented with Gregorian chant while working on the song with Sandra, and the chants appeared at the beginning of her song.[2] He would become fascinated with incorporating archaic sounds into contemporary songs.[2] Michael Cretu married Sandra in 1988 and came up with the idea of a new-age musical project, which would become known as `Enigma`.[2][3] MCMXC a.D. was recorded in 1990 in eight months at A.R.T. Studios, Cretu`s studio located on the Spanish island of Ibiza.[4] Cretu conceived the album as one continuous song;[5] his philosophy when creating it was, `Contrary to the usual record-company philosophy, people are open-minded and starved for something unique.`[6] Cretu produced MCMXC a.D., with creative input from Frank Peterson and Fabrice Cuitad.[2][7]

The first song recorded for the album was `Sadeness (Part I)`. After making the song, Michael told Sandra Cretu, `This will be a huge hit or nothing at all.`[8] `Sadeness (Part I)` was released as a single on 1 October 1990.[9] Michael Cretu wanted to be anonymous and wished for the single not to be promoted. He believed that it was not important for consumers to know who the producer is and wanted them to buy the single for the music itself. Due to this, he was credited as Curly M.C.,[a][11] while Peterson was credited as F. Gregorian,[b] and Cuitad was credited as David Fairstein.[7][13] Virgin Records promoted the song with radio and club-play only.[9] Despite having virtually no promotion, `Sadeness (Part I)` became an international hit and reached number one in Germany faster than any previous new release, and prior to the completion of its music video.[8][6][9]

MCMXC a.D. was released in Europe by Virgin Records on 3 December 1990, and in the United States by Charisma Records on 12 February 1991.[5] Cretu still wanted to remain anonymous, believing that the consumers would buy the album for the music itself.[8] The three producers were credited on MCMXC a.D. under the same monikers as on `Sadeness (Part I)`: Cretu as Curly M.C., Peterson as F. Gregorian, and Cuitad as David Fairstein.[14]

Composition and lyrics
Overview
MCMXC a.D. is 40 minutes and 16 seconds long and is divided into seven tracks, two of which contain three separate songs each. The track `Principles of Lust` contains `Sadeness`, `Find Love`, and `Sadeness (Reprise)`; and `Back to the Rivers of Belief` contains `Way to Eternity`, `Hallelujah`, and `The Rivers of Belief`.[14] The album encompasses a range of genres, including new-age, worldbeat, and pop music;[5][15][16][17] and it utilizes hip-hop and dance rhythms.[5][17][18] The album is well known for its mixing of Gregorian chant and other religious overtones with sexuality;[19] the lead single, `Sadeness (Part I)`, being the prime example.[8][12][20] It is a common misconception that, because `Sadeness (Part I)` employs Gregorian chants, the entire album contains such chants. In debunking this notion, Cretu stated that "Sadeness` is only one piece of the puzzle.`[6] Larry Flick from Billboard further clarified, saying that `Mea Culpa` maintains the atmosphere of `Sadeness`, but `without the aid of Gregorian chants.`[6] According to the Journal of Religion and Health, MCMXC a.D. follows the narrative of facing one`s demons and making peace with them.[18]

Songs
`The Voice of Enigma` was written solely by Cretu,[14] and starts with a foghorn sound that is known as the `Enigma horn`.[21] After the foghorn, Louisa Stanley (an executive at Virgin Records at the time) starts talking[21] and invites the listener to relax and take a deep breath,[17] while an environmental soundscape plays in the background.[16] `The Principles of Lust` track employs a drumbeat throughout similar to the R&B 1989 song `Keep On Movin" by Soul II Soul, flute synth lines, and Cretu`s whispers and `orgasmic breathing` that mark the song breaks.[5][12][22] The first part, `Sadeness`,[14] includes a Gregorian chant taken from the track `Procedamus in pace!` from the 1976 album Paschale Mysterium by Capella Antiqua München.[23][15] It also includes contributions from Fabrice Cuitad and Peterson.[13] The song`s French lyrics are a quizzical look at, and defense of, the 18th-century writer Marquis de Sade, who was notorious for writing literature delving into themes of sexual violence and domination.[11][12]

`Callas Went Away` was written solely by Michael Cretu,[14] and samples Maria Callas`s singing.[17] `Mea Culpa` was written by Cretu and Fabrice Cuitad[14] and is a follow-up to `Sadeness`.[12] Like `Sadeness`, `Mea Culpa` samples Gregorian chant from the Capella Antiqua München[1] and thus evokes the same atmosphere.[6] The song`s theme `centers around guilt`, according to the official Enigma website.[24] `The Voice & the Snake`, written by Cretu and Peterson,[14] is based on the Book of Revelation.[25] `Knocking on Forbidden Doors` was written solely by Cretu.[14] The `Back to the Rivers of Belief` track`s three songs were mainly written by Cretu, with the song `The Rivers of Belief`—which centers around the Indian river Ganges and differs from the other songs in being more soulful—including contributions from Fabrice Cuitad.[14][24][26]

1990 original version[14]
No. Title Writer(s) Length
1. `The Voice of Enigma` Curly M.C. 2:21
2. `Principles of Lust`
a. `Sadeness`
b. `Find Love`
c. `Sadeness (Reprise)`
Curly M.C., David Fairstein (`Sadeness`, `Sadeness (Reprise)`), F. Gregorian (`Sadeness`, `Sadeness (Reprise)`) 11:43
3. `Callas Went Away` Curly M.C. 4:27
4. `Mea Culpa` Curly M.C., Fairstein 5:03
5. `The Voice & the Snake` Curly M.C., F. Gregorian 1:39
6. `Knocking on Forbidden Doors` Curly M.C. 4:31
7. `Back to the Rivers of Belief`
a. `Way to Eternity`
b. `Hallelujah`
c. `The Rivers of Belief`
Curly M.C., Fairstein (`The Rivers of Belief`) 10:32
Total length: 40:16
Personnel
Credits adapted from the liner notes of MCMXC a.D.[14]

Michael Cretu (credited as `Curly M.C.`) (all tracks)[e]
Frank Peterson (credited as `F. Gregorian`) (tracks 2a, 2c, and 5)[e]
Fabrice Cuitad (credited as `David Fairstein`) (tracks 2a, 2c, 4, and 7c)[f]
Sandra Cretu (uncredited) (tracks 1, 2a, 2c, and 4)[12][19]