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James Naremore MORE THAN NIGHT


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ISBN: Ostalo
Godina izdanja: 2008.
Jezik: Engleski
Oblast: Film
Autor: Strani

Film Noir in its Contexts

23 cm, 346 strana.

Lepo očuvana. Listovi spolja sasvim neznatno isprljani.

`Film noir` evokes memories of stylish, cynical, black-&-white movies from the 40s & 50s--melodramas about private eyes, femmes fatales, criminal gangs & lovers on the run. More Than Night discusses such pictures. It also shows that the central term is more complex & paradoxical than realized. Film noir refers both to an important cinematic legacy & to an idea projected onto the past. This wide-ranging cultural history offers an original approach to the subject, as well as new production information & commentary on scores of films, including Double Indemnity, The Third Man, & Out of the Past, & such neo-noirs as Chinatown, Pulp Fiction & Devil in a Blue Dress. Naremore discusses film noir as a term in criticism; as an expression of artistic modernism; as a symptom of Hollywood censorship & politics in the 40s; as a market strategy; as an evolving style; as a cinema about race & nationality & as an idea that circulates across all information technologies. This interdisciplinary book has valuable things to say not only about film & tv, but also about modern literature, the fine arts & popular culture in general. In a field where much of what`s published is superficial & derivative, this work is certain to be received as a definitive treatment.

Film noar

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Predmet: 81544989
Film Noir in its Contexts

23 cm, 346 strana.

Lepo očuvana. Listovi spolja sasvim neznatno isprljani.

`Film noir` evokes memories of stylish, cynical, black-&-white movies from the 40s & 50s--melodramas about private eyes, femmes fatales, criminal gangs & lovers on the run. More Than Night discusses such pictures. It also shows that the central term is more complex & paradoxical than realized. Film noir refers both to an important cinematic legacy & to an idea projected onto the past. This wide-ranging cultural history offers an original approach to the subject, as well as new production information & commentary on scores of films, including Double Indemnity, The Third Man, & Out of the Past, & such neo-noirs as Chinatown, Pulp Fiction & Devil in a Blue Dress. Naremore discusses film noir as a term in criticism; as an expression of artistic modernism; as a symptom of Hollywood censorship & politics in the 40s; as a market strategy; as an evolving style; as a cinema about race & nationality & as an idea that circulates across all information technologies. This interdisciplinary book has valuable things to say not only about film & tv, but also about modern literature, the fine arts & popular culture in general. In a field where much of what`s published is superficial & derivative, this work is certain to be received as a definitive treatment.

Film noar
81544989 James Naremore MORE THAN NIGHT

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