Godina izdanja: 2022
ISBN: 978-86-83113-56-9
Autor: Domaći
Jezik: Engleski
Oblast: Muzika

Clarinet Ornamentation Techniques Influenced by the Traditional Use of an Historical Instrument – The Tárogató

Klarinetska ornamentacija pod uticajem izvođaštva na istorijskom instrumentu - taragotu
Izdavač: Fakultet umetnosti, Kosovska Mitrovica
Povez: broširan
Broj strana: 127
Ilustrovano.
Format: 21 x 28 cm
Odlično očuvana.

This richly illustrated monograph consists of six larger units. In the first chapter, Milosevic explains the research methodology he used in 2013 in Serbia, Romania, and Hungary. In the second chapter, he introduces us to the history and development of the Hungarian-Romanian folk instrument, the tárogató. In the third chapter, Milosevic presents C.P.E. Bach’s 18th-century guides for music ornaments. Milosevic gives new modern notation and guidance for proper clarinet ornamentation and placement. In the fourth and fifth chapters, Milosevic suggests fingerings and gives practical illustrated advice on the proper fingering techniques. In the sixth chapter, the author recommends using specific ornaments in specific situations. Last is a relevant bibliography.

A Canadian clarinetist of Serbian origin, Milan Milosevic is the clarinet teacher at the Royal Conservatory of Music in Canada and permanent associate clarinet and basset clarinet performer of the Zagreb Quartet in Croatia. He was born in 1969 in Belgrade, Serbia, at that time in the SFR Yugoslavia. Milosevic obtained his doctoral degree from the University of British Columbia–Vancouver in 2015, with a thesis on clarinet ornamentation techniques in which he combined research in clarinet and ethnomusicology areas.

„There is very little literature available related to traditional ornamentation performance conventions from Eastern Europe. This dissertation thus explores the ornamentation performed on the tárogató, a Hungarian historical instrument, as the inspiration for new ornaments to be used both in existing and new compositions for the tárogató and clarinet. As a result of research and study awards received from the University of British Columbia and the British Columbia Arts Council, I conducted fieldwork with Hungarian and neighbouring Romanian and Serbian folk performers in their natural performance environments. Throughout the twentieth century, such performers developed their own variety of music ornamentation and articulation methods on the tárogató related to several different cultural regions of current-day Hungary, Romania, and Serbia. In this dissertation, these traditional ornaments are used as an inspiration to create six new different ornamental models. They can be performed on either the clarinet or tárogató.“
- Milan Milosevic

(K-91)