Izdavač: Ostalo
Žanr: Latino, Svetska i Kantri muzika
Poreklo: Strani izvođač

Original, made in EU Germany

Knjizica od 16 str.

Odlicno ocuvano

knjizica 5 Cd 5-


Sello:
Gasa – 3984275832
Formato:
CD, Album
País:
Europe
Publicado:
1999
Género:
Jazz, Latin
Estilo:
Afro-Cuban, Bolero, Cha-Cha, Merengue, Son
1 Saludo A Changó
Bata [Tambores Batá] – Roberto Vizcaíno
Claves [Clave] – Hugo Garzón
Coro – Julio Iznaga Piña, Lázaro `Fino` Rivero*
Shekere [Chéquere] – Roberto Vizcaíno
Vocals [Voz Solista] – Compay Segundo
Written-By – Armando Dulfo
5:16
2 Amor Gigante 2:52
3 Una Rosa De Francia
Written-By – Rodrigo Prats
5:20
4 María En La Playa
Guitar [Guitarra Acompañante] – Rey Guerra
2:49
5 Versos Para Ti 3:56
6 La Engañadora
Timbales [Paila] – Rafael Fournier
Written-By – Enrique Jorrín
4:20
7 Viejos Sones De Santiago (Popurrí)
Arranged By – Francisco Repilado
Backing Vocals [Voz Segunda], Guitar – Mayelín Pérez
Timbales [Paila] – Julio Iznaga*
Vocals [Voz Prima] – Vionaika Martínez
Written-By [Popular] – Traditional
4:21
8 El Día Que Me Quieras
Written-By – Lepera*, Gardél*
4:03
9 Se Perdió La Flauta
Coro – Rafael Fournier
4:50
10 Morir De Amor (Mourir D`aimer)
Guitar – Benito Suárez
Lyrics By [Adaptación Española] – Mérida*
Vocals – Charles Aznavour, Compay Segundo, Hugo Garzón
Written-By – Charles Aznavour
3:29
11 Lágrimas Negras
Cowbell [Campana] – Rafael Fournier
Written-By – Miguel Matamoros
3:45
12 Balcón De Santiago
Backing Vocals [Voz Segunda], Guitar – Mayelín Pérez
Timbales [Paila] – Julio Iznaga*
Vocals [Voz Prima] – Vionaika Martínez
5:40
13 Chan Chan 5:30
Realizado por – Warner Music Manufacturing Europe
Copyright fonográfico ℗ – DRO EastWest S.A.
Copyright © – DRO EastWest S.A.
Grabado en – Abdala Studio
Grabado en – El Cortijo Studio
Grabado en – Studio Davout
Grabado en – Studio Plus XXX
Mezclado en – Estudios Red Led
Prensado por – WMME Alsdorf
Artwork [Diseño] – Manuel Guio*
Backing Vocals [Voz Segunda] – Compay Segundo (pistas: 2 to 6, 8, 11, 13)
Bongos – Rafael Fournier
Clarinet [1° Clarinette] – Lázaro Inciarte* (pistas: 1 to 4, 7 to 10, 12, 13)
Clarinet [2° Clarinette] – Haskell Armenteros (pistas: 1 to 4, 7 to 10, 12, 13)
Clarinet [Clarinette Bajo] – Rosendo Nardo (pistas: 1 to 4, 7 to 10, 12, 13)
Claves [Clave] – Alejandro `Andito` Rodríguez* (pistas: 3, 7 to 9, 12)
Coro – Alejandro `Andito` Rodríguez* (pistas: 1, 7, 9, 12), Benito Suárez (pistas: 1, 7, 9, 10), Compay Segundo (pistas: 7, 9, 12), Haskell Armenteros (pistas: 1, 7, 9, 12), Hugo Garzón (pistas: 1, 7, 9), Rafael Lázaro Inciarte* (pistas: 1, 7, 9, 10, 12)
Cowbell [Campana] – Julio Iznaga* (pistas: 7, 9, 12, 13)
Double Bass [Contrabajo] – Lázaro `Fino` Rivero* (pistas: 4, 7, 12), Salvador Repilado* (pistas: 1 to 3, 5, 6, 8 to 11, 13)
Engineer [Ingeniero Asistente En La Habana] – Lexter Fonseca*
Engineer [Ingeniero De Grabación] – Virgilio `El Gallego` Fernández*
Executive-Producer – Luis Lázaro*
Guiro – Hugo Garzón (pistas: 4, 6, 9)
Guitar [Guitarra Acompañante] – Benito Suárez (pistas: 1 to 3, 5 to 9, 11 to 13)
Harmonica – Compay Segundo
Leader [Dirección Musical], Arranged By – Francisco Repilado `Compay Segundo`*
Maracas – Hugo Garzón (pistas: 1 to 3, 5, 7, 8, 10 to 13)
Mixed By – Iñaki Del Olmo, Louis Lázaro*, Virgilio Fernández
Mixed By [Asistentes En París] – Jean Paul Gonnod*, Stephane Prin*
Photography By [Foto Portada] – Javier Salas
Photography By [Fotos `Chan Chan`] – Manuel Zambrana
Photography By [Fotos Contraportada E Interiores] – Luis Lázaro*
Producer [Producción Artística] – Luis Lázaro*, Virgilio Fernández
Vocals [Voz Prima] – Hugo Garzón (pistas: 2 to 6, 8, 11, 13)
Written-By – Francisco Repilado (pistas: 2, 4, 5, 9, 12, 13)
1, 2, 3, 4, 7, 8, 9, 12 and 13 recorded at the Abdala Studios, La Habana, between 1 and 15 February 1999.
5, 6 and 11 recorded at El Cortijo Studio, Málaga, in March 1999.
10 recorded at the Davout and Plus XXX Studios in Paris on April 21, 22 and 24.
Charles Aznavour appears courtesy of EMI and Levon SAYAN.

Mixed at Red Led, Madrid.

Máximo Francisco Repilado Muñoz Telles (18 November 1907 – 13 July 2003), known professionally as `Compay Segundo`, was a Cuban trova guitarist, singer and composer.

Biography
Compay (meaning compadre) Segundo, so called because he was always second voice in his musical partnerships, was born in Siboney, Cuba, and moved to Santiago de Cuba at the age of nine. His first engagement was in the Municipal Band of Santiago de Cuba, directed by his teacher, Enrique Bueno. In 1934, after a spell in a quintet, he moved to Havana, where he also played the clarinet in CI the Municipal Band. He also learned to play the guitar and the tres, which became his usual instruments. Compay Segundo also invented the armónico, a seven-stringed guitar-like instrument, to fill the harmonic jump between the Spanish guitar and the tres.[1] In the 1950s he became well known as the second voice and tres player in Los Compadres, a duo he formed with Lorenzo Hierrezuelo in 1947.[2]

Los Compadres were one of the most successful Cuban duos of their time. The rediscovery of his music in Spain was with the help of Santiago Auserón in the 90`s. Greater international fame came later, in 1997, with the release of the Buena Vista Social Club album, a hugely successful recording which won several Grammy awards. Compay Segundo appeared in the Wim Wenders film of the same title.[1]

Segundo`s most famous composition is `Chan Chan`, the opening track on the Buena Vista Social Club album, a four-chord son song. `Chan Chan` was recorded by Segundo himself various times as well as by countless other Latin artists. Other compositions are `Sarandonga`, `La calabaza`, `Hey caramba`, `Macusa`, `Saludo Compay`. These are all sones, and this differentiates siu him from the more usual trova musicians, with their devotion to the bolero. However, it seems his interests went much further:

I have danzones, waltzes, sones. I have some beautiful danzones. Why? Because I`ve learned from those who know how to preserve the tradition of the music. I play music the way it was played in yesteryear. I started out playing the son corto (short son). As Miguel Matamoros used to say, `The son is short and sweet.`... Back in the day, they`d start out playing son at seven in the evening, and they`d greet the dawn with it.[3]
At a fiesta he sang to President Fidel Castro, who took his pulse and joked about his vitality despite his 90-plus years. `Who could have imagined that?` he asked when he found himself at the Vatican City, performing `Chan Chan` before Pope John Paul II. He explained his longevity simply: mutton consommé and a drink of rum.

He predicted that he would live to be 115, but died of kidney failure in Havana, 20 years short of his ambition.