Izdavač: Ostalo
Žanr: Rok, Svetska i Kantri muzika
Poreklo: Strani izvođač

Original, made in UK

Knjizica od 4 str.

knjizica 4+ Cd 4

Studio album by Don McLean
Released October 1971
Recorded May–June 1971
Studio Record Plant Studios, New York City
Genre Folk, folk rock
Length 36:24
45:37 (2003 re-issue)
Label
United Artists Records UAS-5535 (original)Liberty Records (1980 reissue)Capitol Records (2003 reissue)
Producer Ed Freeman
Don McLean chronology
Tapestry
(1970) American Pie
(1971) Don McLean
(1972)

American Pie is the second studio album by American singer-songwriter Don McLean, released by United Artists Records in October 1971. The folk rock album reached number one on the Billboard 200, containing the chart-topping singles `American Pie` and `Vincent`. Recorded in May and June 1971 at The Record Plant in New York City,[3] the LP is dedicated to Buddy Holly,[4] and was reissued in 1980 minus the track `Sister Fatima`.[5] The album was released to much acclaim, later being included in the book 1001 Albums You Must Hear Before You Die.[6]

At the Australian 1972 King of Pop Awards the album won Most Popular Overseas L.P.[7]

Background
American Pie is McLean’s second album; his first, Tapestry, having been released to only moderate commercial success and acclaim in 1970. McLean was a protégé of Pete Seeger, having played with him in the 1960s. The album American Pie was intended as a unified work, as McLean has said that he was influenced by the Beatles` Sgt Pepper album and envisioned American Pie to be a similar album.[8] Believing that an artist`s work should stand by itself, McLean generally did not offer explanations for his work`s themes or meaning,[9] though he did describe the title song as involving `a sense of loss`.[8] McLean dedicated the album to Buddy Holly, one of his childhood icons, and it was released in 1971. It has a melancholy feel and rather sparse arrangements.[10] At the time of the writing McLean’s first marriage was failing and the optimism and hopefulness of the 1960s was giving way to the nihilism and hedonism of the 1970s.[11]

Production
The album was recorded in Studio A at The Record Plant on West 44th street in New York City.[3] The producer, Ed Freeman, decided to use accomplished musicians who were not `studio musicians who could act like a metronome` because he wanted to capture the feel of a `band that was really cooking,` so he rented a rehearsal studio and they rehearsed the title song for two weeks before they recorded it.[3] Because McLean rarely phrased his singing the same way twice there were as many as 24 takes for some of the voice parts, but the rhythm tracks are mostly one take.[3]

The original United Artists Records inner sleeve featured a free verse poem[12] written by McLean about William Boyd, also known as Hopalong Cassidy, along with a picture of Boyd in full Hopalong regalia. The words to this poem appear on a plaque at the hospital where Boyd died. The Boyd poem and picture tribute do appear on a special remastered 2003 CD.[13]

The title track contains references to the death of Buddy Holly (McLean being a 13-year-old paper-boy at the time[6]). The phrase `The Day the Music Died` was used by McLean on this song, and has now become an unofficial name for the tragedy.

On the original release, the title of the song `Sister Fatima` is misspelled `Sister Faima` [4]

The final track, `Babylon`, is a close paraphrase of the 1st Verse of the 137th Psalm.[14] It is based on the canon `By the Waters of Babylon` by Philip Hayes,[15] originally published in 1786.

Back-up singers
The final chorus of `American Pie` features multi-tracked overdubs, credited in the sleeve notes to the `West Forty Fourth Street Rhythm and Noise Choir`. Although the individual choristers have never been publicly named, the album`s producer, Ed Freeman, has claimed that the choir included Pete Seeger, James Taylor, Livingston Taylor and Carly Simon.[3]

All songs written by Don McLean except where noted.[24]

No. Title Writer(s) Length
1. `American Pie` 8:33
2. `Till Tomorrow` 2:11
3. `Vincent` 3:55
4. `Crossroads` 3:34
5. `Winterwood` 3:09
6. `Empty Chairs` 3:24
7. `Everybody Loves Me, Baby` 3:37
8. `Sister Fatima` 2:31
9. `The Grave` 3:08
10. `Babylon` Philip Hayes;[15] arranged by Lee Hays and Don McLean 1:40
Total length: 36:24

Personnel
Don McLean – vocals, acoustic guitar, banjo
Warren Bernhardt – piano (`Crossroads`)
Ray Colcord – electric piano
Tom Flye – drums (`The Grave`), engineering
Ed Freeman – string arrangements
Paul Griffin – piano (`American Pie`)
Lee Hays – arranger
Mike Mainieri – marimba, vibraphone
Roy Markowitz – drums, percussion
Gene Orloff – concertmaster
Bob Rothstein – bass, vocals
David Spinozza – electric guitar (`American Pie`)
West Forty Fourth Street Rhythm and Noise Choir – chorus