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Madonna - Confessions On A Dance


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Godina izdanja: 2005
Žanr: Elektronska muzika, Pop
Poreklo: Strani izvođač
Izdavač: Warner Bros. Records – 9362-49460-2

Booklet 4+ / CD 4-
Confessions On A Dance Floor
Madonna - Confessions On A Dance Floor album cover
Label:
Warner Bros. Records – 9362-49460-2
Format:
CD, Album, Mixed
Country:
Europe
Released:
Nov 11, 2005
Genre:
Electronic, Pop
Style:
House, Disco, Dance-pop
1 Hung Up
Performer [Sample Of `Gimme Gimme Gimme (A Man After Midnight)`] – ABBA
Written-By – B. Andersson, B. Ulvaeus*, Madonna, Stuart Price
5:36
2 Get Together
Producer [Original Production] – Anders Bagge, Peer Astrom
Written-By – Anders Bagge, Madonna, Peer Astrom, Stuart Price
5:30
3 Sorry
Written-By – Madonna, Stuart Price
4:43
4 Future Lovers
Drum Programming [Additional] – Stuart Price
Engineer [Protools] – Paul `P-Dub` Walton*
Programmed By – Mirwais Ahmadzai*
Written-By – Madonna, Mirwais Ahmadzai*
4:51
5 I Love New York
Written-By – Madonna, Stuart Price
4:11
6 Let It Will Be
Written-By – Madonna, Mirwais Ahmadzai*, Stuart Price
4:18
7 Forbidden Love
Written-By – Madonna, Stuart Price
4:22
8 Jump
Written-By – Joe Henry, Madonna, Stuart Price
3:46
9 How High
Co-producer – Stuart Price
Written-By – Christian Karlsson, Henrik Jonback, Madonna, Pontus Winnberg
4:40
10 Isaac
Vocals [Additional] – Yitzhak Sinwani
Written-By – Madonna, Stuart Price
6:03
11 Push
Written-By – Madonna, Stuart Price
3:57
12 Like It Or Not
Acoustic Guitar – Monte Pittman
Guitar, Bass – Henrik Jonback
Programmed By [Additional Programming] – Mango, Stuart Price
Written-By – Christian Karlsson, Henrik Jonback, Madonna, Pontus Winnberg
4:31
Record Company – Warner Music Group
Copyright © – Warner Bros. Records Inc.
Phonographic Copyright ℗ – Warner Bros. Records Inc.
Copyright © – WEA International Inc.
Phonographic Copyright ℗ – WEA International Inc.
Recorded At – Shirland Road
Recorded At – Murlyn Studios
Recorded At – Mayfair Studios
Mixed At – Olympic Studios
Mixed At – Record Plant, Los Angeles
Mixed At – Shirland Road
Mastered At – Bernie Grundman Mastering
Pressed By – Cinram GmbH
Published By – Webo Girl Publishing, Inc.
Published By – Darkdancer Ltd.
Published By – Universal Music Publishing International Ltd.
Published By – Universal/Union Songs Musikförlag AB
Published By – EMI Waterford Music Inc.
Published By – EMI Grove Park Music, Inc.
Published By – WB Music Corp.
Published By – EMI Music Publishing
Published By – Murlyn Songs AB
Published By – 1000 Lights Music Ltd.
Published By – Chrysalis Music
Published By – Blood Count Music
Art Direction, Graphic Design – Giovanni Bianco
Engineer [Assistant] – Alex Dromgoole
Engineer [Second Assistant] – Antony Kilhoffer*, David Emery
Legal – Grubman Indursky, P.C.*
Management – Angela Becker, Guy Oseary
Mastered By – Brian `Big Bass` Gardner*
Mixed By – Mark `Spike` Stent* (tracks: 1 to 6, 8 to 12), Stuart Price (tracks: 7)
Photography By – Steven Klein
Producer – Bloodshy & Avant (tracks: 9, 12), Madonna, Mirwais Ahmadzai* (tracks: 4), Stuart Price (tracks: 1 to 3, 5 to 8, 10, 11)
Recorded By – Stuart Price
Housed in a standard jewel case with a clear disc-tray and a 16-page booklet inside.
Back cover:
Warner Bros. Records Inc., a Warner Music Group company.
©℗ 2005 Warner Bros. Records Inc. for the U.S. and WEA International Inc. for the world outside the U.S.
Manufactured in the E.U.

CD face:
© ℗ 2005 Warner Bros. Records Inc., a Warner Music Group company. Manufactured in the E.U.

Booklet:
© 2005 Warner Bros. Records Inc.

All songs recorded at Shirland Road except: `How High` and `Like It Or Not` recorded at Murlyn Studios, Stockhom [sic] and Shirland Road. `Future Lovers` recorded at Mayfair Studios

All songs mixed at Olympic Studios and Record Plant, Los Angeles except: `Forbidden Love` mixed at Shirland Road
Second assistant engineer at Olympic: David Emery; second assistant engineer at Record Plant, Los Angeles: Antony Kilhoffer

Track 1
Webo Girl Publishing, Inc. ASCAP/Darkdancer Ltd. PRS/Universal Music Publishing International Limited/Universal/Union Songs Music Forlagsaktiebolag AB/EMI Waterford Music, Inc./EMI Grove Park Music, Inc. ASCAP All rights on behalf of Webo Girl Publishing, Inc. and Darkdancer Ltd. administered by WB Music Corp. ASCAP
`Hung Up` contains a sample of the recording `Gimme Gimme Gimme (A Man After Midnight)` by ABBA

Track 2
Webo Girl Publishing, Inc. ASCAP/EMI Music Publishing/Murlyn Songs AB/Darkdancer Ltd. PRS. All rights on behalf of Webo Girl Publishing, Inc. and Darkdancer Ltd. administered by WB Music Corp. ASCAP

Tracks 3, 5, 7, 10, 11
Webo Girl Publishing, Inc. ASCAP/Darkdancer Ltd. PRS. All rights on behalf of Webo Girl Publishing, Inc. and Darkdancer Ltd. administered by WB Music Corp. ASCAP

Track 4
Webo Girl Publishing, Inc. ASCAP/1000 Lights Music Limited BMI. All rights on behalf of Webo Girl Publishing, Inc. administered by WB Music Corp. ASCAP

Track 6
Webo Girl Publishing, Inc. ASCAP/1000 Lights Music Limited BMI/Darkdancer Ltd. PRS. All rights on behalf of Webo Girl Publishing, Inc. and Darkdancer Ltd. administered by WB Music Corp. ASCAP

Track 8
Webo Girl Publishing, Inc. ASCAP/Chrysalis Music/Blood Count Music ASCAP/Darkdancer Ltd. PRS. All rights on behalf of Webo Girl Publishing, Inc. and Darkdancer Ltd. administered by WB Music Corp. ASCAP

Tracks 9, 12
Webo Girl Publishing, Inc. ASCAP/Murlyn Songs AB. All rights on behalf of Webo Girl Publishing, Inc. administered by WB Music Corp. ASCAP

Sticker reads: `The non stop, all-dance tour de force. Features `Hung Up`, `Sorry` and `Jump`. madonna.com`
Warner `W` logo pressed on the lower right corner of the front of the case.

Some copies have a sticker that reads: `EMI Middle East - Licensee for Middle East & North Africa - Not for Sale Outside`.
Some copies have a sticker printed with `Parental Advisory - Explicit Lyrics` attached to front casing.
Some copies have a sticker with Pro 7 logo on front cover.

ISRC (not mentioned on release):
Track 01: US-WB1-05-04972
Track 02: US-WB1-05-04911
Track 03: US-WB1-05-04912
Track 04: US-WB1-05-04913
Track 05: US-WB1-05-04914
Track 06: US-WB1-05-04915
Track 07: US-WB1-05-04916
Track 08: US-WB1-05-04917
Track 09: US-WB1-05-04918
Track 10: US-WB1-05-04919
Track 11: US-WB1-05-04920
Track 12: US-WB1-05-04921
Barcode (Scanned): 093624946021
Barcode (Text): 0 9362-49460-2 1
Barcode (UPC\EAN): 0093624946021
Label Code: LC 00392
Rights Society: GEMA/BIEM
Matrix / Runout (Variant 1): [Warner `W` logo] CD 936249460-2.2 V01
Mastering SID Code (Variant 1): IFPI L016
Mould SID Code (Variant 1): IFPI 05L3
Matrix / Runout (Variant 2): [Warner `W` logo] CD 936249460-2.2 V01
Mastering SID Code (Variant 2): IFPI L016
Mould SID Code (Variant 2): IFPI 05M9
Matrix / Runout (Variant 3): [Warner `W` logo] CD 936249460-2 V01
Mastering SID Code (Variant 3): IFPI L012
Mould SID Code (Variant 3): IFPI 05M8
Matrix / Runout (Variant 4): [Warner `W` logo] CD 936249460-2 V01
Mastering SID Code (Variant 4): IFPI L012
Mould SID Code (Variant 4): IFPI 05M9
Matrix / Runout (Variant 5): [Warner `W` logo] CD 936249460-2 V01
Mastering SID Code (Variant 5): IFPI L012
Mould SID Code (Variant 5): IFPI 05N7
Matrix / Runout (Variant 6): [Warner `W` logo] CD 936249460-2 V01
Mastering SID Code (Variant 6): IFPI L012
Mould SID Code (Variant 6): IFPI 05R2
Matrix / Runout (Variant 7): [Warner `W` logo] CD 936249460-2 V01
Mastering SID Code (Variant 7): IFPI L016
Mould SID Code (Variant 7): IFPI 05M8
Matrix / Runout (Variant 8): [Warner `W` logo] CD 936249460-2 V01
Mastering SID Code (Variant 8): IFPI L012
Mould SID Code (Variant 8): IFPI 0584
Matrix / Runout (Variant 9): [Warner `W` logo] CD 936249460-2.2 V01
Mastering SID Code (Variant 9): IFPI L016
Mould SID Code (Variant 9): IFPI 05P1
Matrix / Runout (Variant 10): [Warner `W` logo] CD 936249460-2 V01
Mastering SID Code (Variant 10): IFPI L012
Mould SID Code (Variant 10): IFPI 05M1
Matrix / Runout (Variant 11): [Warner `W` logo] CD 936249460-2 V01
Mastering SID Code (Variant 11): IFPI L012
Mould SID Code (Variant 11): IFPI 05M2
Matrix / Runout (Variant 12): [Warner `W` logo] CD 936249460-2.2 V01
Mastering SID Code (Variant 12): IFPI L016
Mould SID Code (Variant 12): IFPI 05M8
Matrix / Runout (Variant 13): [Warner `W` logo] CD 936249460-2.2 V01
Mastering SID Code (Variant 13): IFPI L016
Mould SID Code (Variant 13): IFPI 05P3
Matrix / Runout (Variant 14): [Warner `W` logo] CD 936249460-2.2 V01
Mastering SID Code (Variant 14): IFPI L016
Mould SID Code (Variant 14): IFPI 057T
Matrix / Runout (Variant 15): [Warner `W` logo] CD 936249460-2.2 V01
Mastering SID Code (Variant 15): IFPI L016
Mould SID Code (Variant 15): IFPI 05M1
Matrix / Runout (Variant 16): [Warner `W` logo] CD 936249460-2 V01
Mastering SID Code (Variant 16): IFPI L012
Mould SID Code (Variant 16): IFPI 05N4
Matrix / Runout (Variant 17): [Warner `W` logo] CD 936249460-2 V01
Mastering SID Code (Variant 17): IFPI L012
Mould SID Code (Variant 17): IFPI 05A2
Matrix / Runout (Variant 18): [Warner `W` logo] CD 936249460-2 V01
Mastering SID Code (Variant 18): IFPI L012
Mould SID Code (Variant 18): IFPI 05Z6
Matrix / Runout (Variant 19): [Warner `W` logo] CD 936249460-2 V01
Mastering SID Code (Variant 19): IFPI L012
Mould SID Code (Variant 19): IFPI 05R4
Matrix / Runout (Variant 20): [Warner `W` logo] CD 936249460-2.2 V01
Mastering SID Code (Variant 20): IFPI L016
Mould SID Code (Variant 20): IFPI 05E1
Matrix / Runout (Variant 21): [Warner `W` logo] CD 936249460-2.2 V01
Mastering SID Code (Variant 21): IFPI L016
Mould SID Code (Variant 21): IFPI 05M6
Matrix / Runout (Variant 22): [Warner `W` logo] CD 936249460-2.2 V01
Mastering SID Code (Variant 22): IFPI L016
Mould SID Code (Variant 22): IFPI 05L2
Matrix / Runout (Variant 23): [Warner `W` logo] CD 936249460-2 V01
Mastering SID Code (Variant 23): IFPI L012
Mould SID Code (Variant 23): IFPI 0587
Matrix / Runout (Variant 24): [Warner `W` logo] CD 936249460-2 V01
Mastering SID Code (Variant 24): IFPI L012
Mould SID Code (Variant 24): IFPI 05N9
Matrix / Runout (Variant 25): [Warner `W` logo] CD 936249460-2 V01
Mastering SID Code (Variant 25): IFPI L012
Mould SID Code (Variant 25): IFPI 05N8
Matrix / Runout (Variant 26): [Warner `W` logo] CD 936249460-2 V01
Mastering SID Code (Variant 26): IFPI L012
Mould SID Code (Variant 26): IFPI 05N5
Confessions On A Dance Floor (Box Set, Special Edition, CD, Album, Partially Mixed)
Warner Bros. Records, Warner Bros. Records
2-49464, 49464-2
US
2005
Confessions On A Dance Floor (2×LP, Album, Promo)
Warner Bros. Records
PRO-A-101706-A
US
2005
Confessions On A Dance Floor (CD, Album, Mixed, Stereo)
Warner Bros. Records
WPCR-12200
Japan
2005
Confessions On A Dance Floor (CD, Album, Mixed)
Warner Bros. Records
49460-2
US
2005
Confessions On A Dance Floor (CD, Album, Mixed)
Warner Bros. Records
9362494602
Australia
2005

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Add Review
Alexvarela13`s avatar
Alexvarela13 Jun 19, 2019

The best disco of the Madonna without a doubt, higher quality of songs, variety of sounds, mixes, a well worked album very superior, well above a ray of light and music his previous works. Every Madonna fan must have this record.
Reply2 Helpful
musync Jan 27, 2006
Edited 18 years ago
By now you`ve probably heard of the Abba Gimme, Gimme, Gimme sampling dance club monster hit Hung Up and probably wondering if the rest of the new Madonna album Confessions On A Dance Floor is any good. Well it`s definitely good and has a string of very nicely produced tracks by the Les Rhytmes Digitales mastermind, Stuart Price, as well as a couple of other producers on the album. In Fact if you happen to have the Les Rhytmes Digitales Darkdancer album you`ll notice some similarities. The similarities of the early 1980`s sound that was present on Darkdancer and which is present on Confessions On A Dance Floor.

Of course the album gets right into the beats with Hung Up the best single off of the album. Hung Up has an infectious repetitive beat that makes you want to get up and dance. It`s catchy and definitely the strongest single off of Confessions On A Dance Floor. The next big track is Sorry which is going to be the next single off of the album. Sorry is almost as good as Hung Up but lacks a little. I assume it`s lacking the sample. Also, other good tracks on the album are Jump, Let It Will Be and Forbidden Love. The entire album is a continuous mix so as to have the feel of a DJ mix at a club. It is called Confessions On A Dance Floor after all.

Overall this is a great album but not Madonna`s best. I assume she`s getting tired of recording and finding the next sound. Perhaps she should release a remix album of her past hits. Or maybe release another Immaculate Collection. Confessions On A Dance Floor has it`s moments so it`s still worth checking out.
ReplyHelpful
DeletedDiscogsUser Nov 22, 2005
Edited 18 years ago
Finally, Madonna gets her shit together. CONFESSIONS ON A DANCEFLOOR sees Madonna leaving her political views at the studio door, and in return, invests her efforts in doing what she did best once upon a time: produce highly catchy, well-produced stylish dance-pop tunes.

Musically, we`re not dealing with anything particularly new or ground-breaking, nevertheless, it would be criminal not to credit Stuart Price for the ingenious glossy production throughout. Having said that, credit must also be given to Madonna for whom, in addition to masterminding the concept of the ultra modern `concept disco album`, did a fine job in choosing perhaps the most appropriate producer in assisting her with accomplishing her vision. On a negative note however, when listening to this album, one can`t help but notice that it actually sounds quite dated for late 2005; the majority of it has its roots in contemporary synth-pop and electroclash, which has been doing its rounds for around five years now, but the fact that it`s Madonna`s best album in as many years renders this issue irrelevant.

Highlight tracks include the undeniable catchiness of `Hung Up`, which is blatantly built around the infectious hook from Abba`s `Gimme Gimme Gimme (A Man After Midnight)` (apparantley, this is only the second time the Swedes have allowed for their music to be officially sampled). Other outstanding tracks include the Euro-flavoured `Get Together`, which seems to pay a subtle homage to Kylie Minogue`s `Love At First Sight`; and the Giorgio Moroder/Donna Summer tribute `Future Lovers`.

The album`s only negative offering is the all-too-religious `Issac` which, while musically still follows the same theme of the whole album, features a male chant that some might consider too cringeworthy for a full plaback.

But overall, CONFESSIONS ON A DANCEFLOOR is a wonderful album, meant to be enjoyed for what it is, and nothing more.
Reply1 Helpful
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Booklet 4+ / CD 4-
Confessions On A Dance Floor
Madonna - Confessions On A Dance Floor album cover
Label:
Warner Bros. Records – 9362-49460-2
Format:
CD, Album, Mixed
Country:
Europe
Released:
Nov 11, 2005
Genre:
Electronic, Pop
Style:
House, Disco, Dance-pop
1 Hung Up
Performer [Sample Of `Gimme Gimme Gimme (A Man After Midnight)`] – ABBA
Written-By – B. Andersson, B. Ulvaeus*, Madonna, Stuart Price
5:36
2 Get Together
Producer [Original Production] – Anders Bagge, Peer Astrom
Written-By – Anders Bagge, Madonna, Peer Astrom, Stuart Price
5:30
3 Sorry
Written-By – Madonna, Stuart Price
4:43
4 Future Lovers
Drum Programming [Additional] – Stuart Price
Engineer [Protools] – Paul `P-Dub` Walton*
Programmed By – Mirwais Ahmadzai*
Written-By – Madonna, Mirwais Ahmadzai*
4:51
5 I Love New York
Written-By – Madonna, Stuart Price
4:11
6 Let It Will Be
Written-By – Madonna, Mirwais Ahmadzai*, Stuart Price
4:18
7 Forbidden Love
Written-By – Madonna, Stuart Price
4:22
8 Jump
Written-By – Joe Henry, Madonna, Stuart Price
3:46
9 How High
Co-producer – Stuart Price
Written-By – Christian Karlsson, Henrik Jonback, Madonna, Pontus Winnberg
4:40
10 Isaac
Vocals [Additional] – Yitzhak Sinwani
Written-By – Madonna, Stuart Price
6:03
11 Push
Written-By – Madonna, Stuart Price
3:57
12 Like It Or Not
Acoustic Guitar – Monte Pittman
Guitar, Bass – Henrik Jonback
Programmed By [Additional Programming] – Mango, Stuart Price
Written-By – Christian Karlsson, Henrik Jonback, Madonna, Pontus Winnberg
4:31
Record Company – Warner Music Group
Copyright © – Warner Bros. Records Inc.
Phonographic Copyright ℗ – Warner Bros. Records Inc.
Copyright © – WEA International Inc.
Phonographic Copyright ℗ – WEA International Inc.
Recorded At – Shirland Road
Recorded At – Murlyn Studios
Recorded At – Mayfair Studios
Mixed At – Olympic Studios
Mixed At – Record Plant, Los Angeles
Mixed At – Shirland Road
Mastered At – Bernie Grundman Mastering
Pressed By – Cinram GmbH
Published By – Webo Girl Publishing, Inc.
Published By – Darkdancer Ltd.
Published By – Universal Music Publishing International Ltd.
Published By – Universal/Union Songs Musikförlag AB
Published By – EMI Waterford Music Inc.
Published By – EMI Grove Park Music, Inc.
Published By – WB Music Corp.
Published By – EMI Music Publishing
Published By – Murlyn Songs AB
Published By – 1000 Lights Music Ltd.
Published By – Chrysalis Music
Published By – Blood Count Music
Art Direction, Graphic Design – Giovanni Bianco
Engineer [Assistant] – Alex Dromgoole
Engineer [Second Assistant] – Antony Kilhoffer*, David Emery
Legal – Grubman Indursky, P.C.*
Management – Angela Becker, Guy Oseary
Mastered By – Brian `Big Bass` Gardner*
Mixed By – Mark `Spike` Stent* (tracks: 1 to 6, 8 to 12), Stuart Price (tracks: 7)
Photography By – Steven Klein
Producer – Bloodshy & Avant (tracks: 9, 12), Madonna, Mirwais Ahmadzai* (tracks: 4), Stuart Price (tracks: 1 to 3, 5 to 8, 10, 11)
Recorded By – Stuart Price
Housed in a standard jewel case with a clear disc-tray and a 16-page booklet inside.
Back cover:
Warner Bros. Records Inc., a Warner Music Group company.
©℗ 2005 Warner Bros. Records Inc. for the U.S. and WEA International Inc. for the world outside the U.S.
Manufactured in the E.U.

CD face:
© ℗ 2005 Warner Bros. Records Inc., a Warner Music Group company. Manufactured in the E.U.

Booklet:
© 2005 Warner Bros. Records Inc.

All songs recorded at Shirland Road except: `How High` and `Like It Or Not` recorded at Murlyn Studios, Stockhom [sic] and Shirland Road. `Future Lovers` recorded at Mayfair Studios

All songs mixed at Olympic Studios and Record Plant, Los Angeles except: `Forbidden Love` mixed at Shirland Road
Second assistant engineer at Olympic: David Emery; second assistant engineer at Record Plant, Los Angeles: Antony Kilhoffer

Track 1
Webo Girl Publishing, Inc. ASCAP/Darkdancer Ltd. PRS/Universal Music Publishing International Limited/Universal/Union Songs Music Forlagsaktiebolag AB/EMI Waterford Music, Inc./EMI Grove Park Music, Inc. ASCAP All rights on behalf of Webo Girl Publishing, Inc. and Darkdancer Ltd. administered by WB Music Corp. ASCAP
`Hung Up` contains a sample of the recording `Gimme Gimme Gimme (A Man After Midnight)` by ABBA

Track 2
Webo Girl Publishing, Inc. ASCAP/EMI Music Publishing/Murlyn Songs AB/Darkdancer Ltd. PRS. All rights on behalf of Webo Girl Publishing, Inc. and Darkdancer Ltd. administered by WB Music Corp. ASCAP

Tracks 3, 5, 7, 10, 11
Webo Girl Publishing, Inc. ASCAP/Darkdancer Ltd. PRS. All rights on behalf of Webo Girl Publishing, Inc. and Darkdancer Ltd. administered by WB Music Corp. ASCAP

Track 4
Webo Girl Publishing, Inc. ASCAP/1000 Lights Music Limited BMI. All rights on behalf of Webo Girl Publishing, Inc. administered by WB Music Corp. ASCAP

Track 6
Webo Girl Publishing, Inc. ASCAP/1000 Lights Music Limited BMI/Darkdancer Ltd. PRS. All rights on behalf of Webo Girl Publishing, Inc. and Darkdancer Ltd. administered by WB Music Corp. ASCAP

Track 8
Webo Girl Publishing, Inc. ASCAP/Chrysalis Music/Blood Count Music ASCAP/Darkdancer Ltd. PRS. All rights on behalf of Webo Girl Publishing, Inc. and Darkdancer Ltd. administered by WB Music Corp. ASCAP

Tracks 9, 12
Webo Girl Publishing, Inc. ASCAP/Murlyn Songs AB. All rights on behalf of Webo Girl Publishing, Inc. administered by WB Music Corp. ASCAP

Sticker reads: `The non stop, all-dance tour de force. Features `Hung Up`, `Sorry` and `Jump`. madonna.com`
Warner `W` logo pressed on the lower right corner of the front of the case.

Some copies have a sticker that reads: `EMI Middle East - Licensee for Middle East & North Africa - Not for Sale Outside`.
Some copies have a sticker printed with `Parental Advisory - Explicit Lyrics` attached to front casing.
Some copies have a sticker with Pro 7 logo on front cover.

ISRC (not mentioned on release):
Track 01: US-WB1-05-04972
Track 02: US-WB1-05-04911
Track 03: US-WB1-05-04912
Track 04: US-WB1-05-04913
Track 05: US-WB1-05-04914
Track 06: US-WB1-05-04915
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Track 09: US-WB1-05-04918
Track 10: US-WB1-05-04919
Track 11: US-WB1-05-04920
Track 12: US-WB1-05-04921
Barcode (Scanned): 093624946021
Barcode (Text): 0 9362-49460-2 1
Barcode (UPC\EAN): 0093624946021
Label Code: LC 00392
Rights Society: GEMA/BIEM
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Confessions On A Dance Floor (Box Set, Special Edition, CD, Album, Partially Mixed)
Warner Bros. Records, Warner Bros. Records
2-49464, 49464-2
US
2005
Confessions On A Dance Floor (2×LP, Album, Promo)
Warner Bros. Records
PRO-A-101706-A
US
2005
Confessions On A Dance Floor (CD, Album, Mixed, Stereo)
Warner Bros. Records
WPCR-12200
Japan
2005
Confessions On A Dance Floor (CD, Album, Mixed)
Warner Bros. Records
49460-2
US
2005
Confessions On A Dance Floor (CD, Album, Mixed)
Warner Bros. Records
9362494602
Australia
2005

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Add Review
Alexvarela13`s avatar
Alexvarela13 Jun 19, 2019

The best disco of the Madonna without a doubt, higher quality of songs, variety of sounds, mixes, a well worked album very superior, well above a ray of light and music his previous works. Every Madonna fan must have this record.
Reply2 Helpful
musync Jan 27, 2006
Edited 18 years ago
By now you`ve probably heard of the Abba Gimme, Gimme, Gimme sampling dance club monster hit Hung Up and probably wondering if the rest of the new Madonna album Confessions On A Dance Floor is any good. Well it`s definitely good and has a string of very nicely produced tracks by the Les Rhytmes Digitales mastermind, Stuart Price, as well as a couple of other producers on the album. In Fact if you happen to have the Les Rhytmes Digitales Darkdancer album you`ll notice some similarities. The similarities of the early 1980`s sound that was present on Darkdancer and which is present on Confessions On A Dance Floor.

Of course the album gets right into the beats with Hung Up the best single off of the album. Hung Up has an infectious repetitive beat that makes you want to get up and dance. It`s catchy and definitely the strongest single off of Confessions On A Dance Floor. The next big track is Sorry which is going to be the next single off of the album. Sorry is almost as good as Hung Up but lacks a little. I assume it`s lacking the sample. Also, other good tracks on the album are Jump, Let It Will Be and Forbidden Love. The entire album is a continuous mix so as to have the feel of a DJ mix at a club. It is called Confessions On A Dance Floor after all.

Overall this is a great album but not Madonna`s best. I assume she`s getting tired of recording and finding the next sound. Perhaps she should release a remix album of her past hits. Or maybe release another Immaculate Collection. Confessions On A Dance Floor has it`s moments so it`s still worth checking out.
ReplyHelpful
DeletedDiscogsUser Nov 22, 2005
Edited 18 years ago
Finally, Madonna gets her shit together. CONFESSIONS ON A DANCEFLOOR sees Madonna leaving her political views at the studio door, and in return, invests her efforts in doing what she did best once upon a time: produce highly catchy, well-produced stylish dance-pop tunes.

Musically, we`re not dealing with anything particularly new or ground-breaking, nevertheless, it would be criminal not to credit Stuart Price for the ingenious glossy production throughout. Having said that, credit must also be given to Madonna for whom, in addition to masterminding the concept of the ultra modern `concept disco album`, did a fine job in choosing perhaps the most appropriate producer in assisting her with accomplishing her vision. On a negative note however, when listening to this album, one can`t help but notice that it actually sounds quite dated for late 2005; the majority of it has its roots in contemporary synth-pop and electroclash, which has been doing its rounds for around five years now, but the fact that it`s Madonna`s best album in as many years renders this issue irrelevant.

Highlight tracks include the undeniable catchiness of `Hung Up`, which is blatantly built around the infectious hook from Abba`s `Gimme Gimme Gimme (A Man After Midnight)` (apparantley, this is only the second time the Swedes have allowed for their music to be officially sampled). Other outstanding tracks include the Euro-flavoured `Get Together`, which seems to pay a subtle homage to Kylie Minogue`s `Love At First Sight`; and the Giorgio Moroder/Donna Summer tribute `Future Lovers`.

The album`s only negative offering is the all-too-religious `Issac` which, while musically still follows the same theme of the whole album, features a male chant that some might consider too cringeworthy for a full plaback.

But overall, CONFESSIONS ON A DANCEFLOOR is a wonderful album, meant to be enjoyed for what it is, and nothing more.
Reply1 Helpful
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